Minggu, 28 Maret 2010

[X391.Ebook] Download Feversong: A Fever Novel, by Karen Marie Moning

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Feversong: A Fever Novel, by Karen Marie Moning

Feversong: A Fever Novel, by Karen Marie Moning



Feversong: A Fever Novel, by Karen Marie Moning

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Feversong: A Fever Novel, by Karen Marie Moning

NEW YORK TIMES BESTSELLER • MacKayla Lane and Jericho Barrons return in the epic conclusion to the pulse-pounding Fever series, where a world thrown into chaos grows more treacherous at every turn.

As Mac, Barrons, Ryodan, and Jada struggle to restore control, enemies become allies, right and wrong cease to exist, and the lines between life and death, lust and love, disappear completely. Black holes loom menacingly over Dublin, threatening to destroy the earth, yet the greatest danger is the one MacKayla Lane has unleashed from within: The Sinsar Dubh—a sentient book of unthinkable evil—has possessed her body and will stop at nothing in its insatiable quest for power. 

The fate of Man and Fae rests on destroying the book and recovering the long-lost Song of Making, the sole magic that can repair the fragile fabric of the earth. But to achieve these aims, sidhe-seers, the Nine, Seelie, and Unseelie must form unlikely alliances and make heart-wrenching choices. For Barrons and Jada, this means finding the Seelie queen, who alone can wield the mysterious song, negotiating with a lethal Unseelie prince hell-bent on ruling the Fae courts, and figuring out how to destroy the Sinsar Dubh while keeping Mac alive.

This time, there’s no gain without sacrifice, no pursuit without risk, no victory without irrevocable loss. In the battle for Mac’s soul, every decision exacts a tremendous price.

Look for all of Karen Marie Moning’s sensational Fever novels:
DARKFEVER | BLOODFEVER | FAEFEVER | DREAMFEVER | SHADOWFEVER | ICED | BURNED | FEVERBORN | FEVERSONG

Praise for Feversong

“Bold and brilliantly layered, deeply emotive and all-consuming, the story curves full circle as Mac and Dani try to save the world. . . . Fans of the series . . . will love every moment, every page. As one now expects from the incredibly talented [Karen Marie] Moning, gasp-inducing surprises await.”—USA Today

“Heart-pounding.”—Entertainment Weekly

“Epic.”—New Orleans Gambit

“Moning is one of the best. . . . [Feversong is] an exciting, pulse-pounding action-filled adventure that at times is dark and terrifying, and other times gloriously happy and romantic. . . . Another fantastic story.”—The Reading Cafe

“[Feversong is an] epic ending to an epic series. . . . It’s all feels.”—The Review Loft

  • Sales Rank: #25088 in Books
  • Brand: Delacorte Press
  • Published on: 2017-01-17
  • Released on: 2017-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.80" w x 6.40" l, .0 pounds
  • Binding: Hardcover
  • 560 pages
Features
  • Delacorte Press

Review
“Bold and brilliantly layered, deeply emotive and all-consuming, the story curves full circle as Mac and Dani try to save the world. . . . Fans of the series . . . will love every moment, every page. As one now expects from the incredibly talented [Karen Marie] Moning, gasp-inducing surprises await.”—USA Today
 
“Heart-pounding.”—Entertainment Weekly
 
“Epic.”—New Orleans Gambit
 
“Moning is one of the best. . . . [Feversong is] an exciting, pulse-pounding action-filled adventure that at times is dark and terrifying, and other times gloriously happy and romantic. . . . Another fantastic story.”—The Reading Cafe
 
“[Feversong is an] epic ending to an epic series. . . . It’s all feels.”—The Review Loft

About the Author
Karen Marie Moning is the #1 New York Times bestselling author of the Fever series, featuring MacKayla Lane, and the award-winning Highlander series. She has a bachelor’s degree in society and law from Purdue University.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Wow. Just wow.
By Valerie Riddle
I fell in love with the fever world from book one. I've read them all a dozen times by now, and yet this book still surprised me. It was painfully raw, emotional, tragic, full of adventure, exquisitely tender and a fitting wrap up to Mac's story. I wouldn't have expected anything less.

28 of 31 people found the following review helpful.
Epic Adventure!
By marcelyn wylie
A fabulous book filled with adventure, magic, epic love, and family. Terrific final book to a great series. Best I've read!
What a ride this series has been! Amazing author.

5 of 5 people found the following review helpful.
Fan-freakin- tactic!
By Whatshernamit
It's a well-written and in depth must read to close out the series! Closes all the stories though not always in happily ever after- but that's why it's so great. The author allows the characters to grow and evolve, and others she allows to stay the same because that's how they should be. Thank you, Ms. Moning for not letting fans of the series down and staying true to the sometimes cruel world.

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Jumat, 26 Maret 2010

[U970.Ebook] Fee Download International Human Rights Law and Practice, by Ilias Bantekas, Lutz Oette

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International Human Rights Law and Practice, by Ilias Bantekas, Lutz Oette

International Human Rights Law and Practice, by Ilias Bantekas, Lutz Oette



International Human Rights Law and Practice, by Ilias Bantekas, Lutz Oette

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International Human Rights Law and Practice, by Ilias Bantekas, Lutz Oette

Human rights law is a complex but compelling subject that fascinates students but also confuses them. This innovative textbook explores human rights law from a theoretical and practical perspective. Case studies and interviews with specialist practitioners, NGO activists and policy-makers show how theory is applied in real life. The up-to-date coverage includes introductions to important emerging fields such as globalisation, poverty and advocacy. Student learning is supported by questions to stimulate seminar discussion and further reading sections that encourage independent study. The authors' combined expertise, engaging writing style and ability to clarify not simplify ensures that this important new book will become required reading for all students of human rights law.

  • Sales Rank: #1047053 in Books
  • Published on: 2013-06-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x 1.38" w x 6.85" l, 3.35 pounds
  • Binding: Paperback
  • 778 pages

Review
"The authors' ability to not only clarify but also analyse issues from a theoretical and practical perspective makes this book an essential reading not only for students of human rights but for all those interested in the theory and practice of international human rights."
Oluwarotimi Charles Olubokun, International Human Rights Law Review

About the Author
Ilias Bantekas is Professor of International Law and Human Rights at Brunel University and a senior fellow at the Institute of Advanced Legal Studies, University of London. He has advised governments, international organisations and NGOs in most fields of human rights and international law.

Lutz Oette is Counsel at REDRESS, an international human rights organisation seeking justice for torture survivors, and lecturer at the School of Oriental and African Studies (SOAS). He has pursued human rights cases before several regional and international bodies and engaged with a range of actors in comparative research, advocacy and reform projects aimed at developing and implementing international human rights standards.

Most helpful customer reviews

0 of 0 people found the following review helpful.
... relied heavily on this book - it was far better than
By Catherine
Well I passed the module and relied heavily on this book - it was far better than most

0 of 1 people found the following review helpful.
as bad as DHL
By Abdulaziz
I am rating this as 1 star because:
1- They chosen to use DHL as the shipping company and for country as Saudi Arabia hmm lets just say I cannot think of any other shipping Co. as bad as DHL. They suck badly so I lost extra few days just becuase DHL to lazy to search for my phone number on this shipment info and to make things worse they clearly asked me to visit them to give them my info which was there written in the system but they actually wanted me to drive all the way to other side if the city to DHL warehouse to get my shipment OR to wait an extra day! So yes Amazon+DHL+SA Jeddah= extra lost time and very ugly experience.

2- The backing was BAD really bad it is not even a box! you have to work on that too, I found dirty finger prince in the inside of the white papers.

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Kamis, 25 Maret 2010

[E480.Ebook] Ebook 3D Pop Up Greeting Cards, by Keiko Nakazawa

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3D Pop Up Greeting Cards, by Keiko Nakazawa

3D Pop Up Greeting Cards, by Keiko Nakazawa



3D Pop Up Greeting Cards, by Keiko Nakazawa

Ebook 3D Pop Up Greeting Cards, by Keiko Nakazawa

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3D Pop Up Greeting Cards, by Keiko Nakazawa

Flowers. . .gardens. . . seasonal motifs such as snowflakes and angels. . . traditional Japanese designs like Kabuki masks and geisha. . . animals. . . scenes. . .all these and many others become delightful greeting cards that are even more special because they're hand-made. Here are easy-to-follow directions-as well as cut-out templates-for creating 60 different, intricate-looking designs. Twenty-four color illustrations of the finished projects are followed by step-by-step instructions and diagrams.
Whether it's to say, "Merry Christmas," "Happy Spring," "Just thinking of you," or "Get well soon," readers will find inspiration and hours of enjoyment in this beautiful and practical book.

  • Sales Rank: #218220 in Books
  • Brand: Brand: Japan Publications Trading
  • Model: 1872104
  • Published on: 2006-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x .30" w x 10.10" l, .60 pounds
  • Binding: Cards
  • 96 pages
Features
  • Used Book in Good Condition

About the Author

KEIKO NAKAZAWA is a talented and well-known origami artist in both Japan and the United States. Her work was exhibited at a show entitled, "Origami Architecture," at the American Craft Museum in New York City in 2001.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Simple easy to follow instructions for making beautiful and impressive pop up cards.

6 of 8 people found the following review helpful.
Amazing!
By J. Diaz
I have a decent- sized library of papercraft books, but this outshines then all. It has the required beautiful pictures, but the beautiful pictures are of beautiful items, and the instructions are easy to follow. I am racommending this book, at with the highest praise, for all my papercrafting friends!

2 of 5 people found the following review helpful.
3D Pop-up Greeting Cards
By Regina Harris
I have been making greeting cards to sell and thought this book would help me advance my skills in making 3D greeting cards, but the instructions say Kent paper (stiff paper with a smooth surface) and Washi paper (Japanese paper with long interwoven fibers). I have not been able to do any of the cards yet because of the search for the right kind of paper. The instructions seem to be easy to follow and the book gives you great ideas, but unless the author includes where to buy the paper, or a description of the type of paper to use, it book will not do you any good.

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[Q572.Ebook] PDF Download Hegarty on Creativity: There Are No Rules, by John Hegarty

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Hegarty On Creativity: There Are No Rules, By John Hegarty. In undergoing this life, lots of people constantly attempt to do and obtain the very best. New understanding, encounter, session, and everything that can enhance the life will be done. Nonetheless, lots of people often feel confused to get those points. Feeling the restricted of encounter and resources to be far better is among the does not have to have. However, there is a very basic thing that can be done. This is exactly what your teacher consistently manoeuvres you to do this one. Yeah, reading is the solution. Reviewing an e-book as this Hegarty On Creativity: There Are No Rules, By John Hegarty and various other references could improve your life top quality. How can it be?

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Hegarty on Creativity: There Are No Rules, by John Hegarty

A look into what lies behind creativity from one of the advertising industry's leading players

Creativity isn’t an occupation; it’s a preoccupation. It is challenge for everyone in the modern world—from business and advertising to education and beyond. Here, the world-famous advertising creative John Hegarty offers a pocket bible of creative thinking, aimed at provoking, challenging, and inspiring greater heights of innovation.

From Renaissance art to rock ‘n’ roll, Hegarty takes a wide-angle view of creativity as he sets out to demystify the many ups-and-downs that can arise during the creative process. Paralyzed by the blank page? Daunted by cynics in the workplace? Money leading you astray? Hegarty combines personal experience and anecdotes along with clear, pragmatic, and good-humored insight into tackling all creative challenges head on. Over fifty entries, including “Good is the Enemy of Great,” “Respect Don’t Revere,” “Get Angry,” and “Bad Weather” relay useful and generous advice on how best to improve, sustain, and nurture creativity in any profession. Accompanied by copious irreverent line drawings from Hegarty’s own sketchpad, Hegarty on Creativity is concise, accessible, and richly rewarding.

75+ color illustrations

  • Sales Rank: #85200 in Books
  • Published on: 2014-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x .7" w x .45" l, .55 pounds
  • Binding: Hardcover
  • 128 pages

Review
“Playful text and graphics and plenty of white space make this a good choice to pick up and grab inspiration at random.” (Publishers Weekly)

“Little mantras for the inspiration-starved.” (Communication Art)

About the Author
John Hegarty is one of the world’s most famous advertising creatives and Founding Creative Partner of Bartle Bogle Hegarty (BBH). He has received the D&AD President’s Award for outstanding achievement, the International Clio Award, and is a member of The One Club of the New York Creative Hall of Fame.

Most helpful customer reviews

2 of 2 people found the following review helpful.
the best non-fiction book I have ever read
By Joshua D. Bernoff - Bestselling Author
This is, quite simply, the best non-fiction book I have ever read.

It's very short, and every single page is filled with truth. I kept reading it and saying "yes, yes, that's right, wow, definitely."

You should keep it with you and refer back to it at all times.

OK . . . since this is the first review on Amazon for this book, I ought to tell you what you are getting. Sir John Hagerty is a long-time and successful advertising executive. This is a series or short (2-3 page) observations on how to be creative. It includes ideas such as:

"OK, let's get it out of the way. There is no such thing as originality."

"What does it take to be creative? Fearlessness. . . . .You have to put your creative reputation on the line."

"Whatever you're creating, simplicity is the ultimate goal."

"Get angry. . . . but don't let it eat you up. Instead, find a piece of paper, a canvas, anything, and get it out of you."

I'm afraid my review makes this seem trite and trivial. Instead, I found this book to be as clear and succinct a description of how to ACTUALLY be successfully creative as you will find anywhere. The question for any book is not, is it worth your money, but is it worth your time. This one is.

1 of 1 people found the following review helpful.
Thought Provocing
By Bindi
This little book is not only thought provoking, it reminded me of the need to introduce creativity into my workplace which is in a sector one would not ordinarily seek creativity. I like how it encourages bold confidence in creative work, yet recognises not all creative is good or should necessarily be public. It's a book to keep in the top draw at work.

1 of 1 people found the following review helpful.
Good, quick read
By Ryan Glover
Good, quick read. Lots of pointers from a seasoned professional who's been there and done that. Will continue to pick this up over the years.

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Minggu, 21 Maret 2010

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Brokedown Cowboy (Copper Ridge), by Maisey Yates

There are lines best friends shouldn't cross, but in Copper Ridge, Oregon, the temptation might be too much…�

If practice makes perfect, Connor Garrett should be world champion of being alone. Since losing his wife he's concentrated exclusively on his family's ranch. Until Felicity Foster needs a place to stay and Connor invites her to move in temporarily. That's what friends do. What friends don't do? Start fantasizing about each other in their underwear. Or out of it…�

Since high school, Liss has kept her raging crush in check. But helping Connor rebuild his life only reinforces how much she longs to be a part of it. One explosive encounter, and she'll discover that getting what you always wanted can feel better than you ever dreamed…

There are lines best friends shouldn't cross, but in Copper Ridge, Oregon, the temptation might be too much…�

If practice makes perfect, Connor Garrett should be world champion of being alone. Since losing his wife he's concentrated exclusively on his family's ranch. Until Felicity Foster needs a place to stay and Connor invites her to move in temporarily. That's what friends do. What friends don't do? Start fantasizing about each other in their underwear. Or out of it…�

Since high school, Liss has kept her raging crush in check. But helping Connor rebuild his life only reinforces how much she longs to be a part of it. One explosive encounter, and she'll discover that getting what you always wanted can feel better than you ever dreamed…

  • Sales Rank: #95202 in Books
  • Published on: 2015-05-26
  • Released on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.61" h x .96" w x 4.21" l, .39 pounds
  • Binding: Mass Market Paperback
  • 368 pages

Review
"Yates' visually powerful narrative tells a timely, heartbreaking story starring an unforgettable couple."
-RT Book Reviews on The Couple who Fooled the World

"Yates' tale of loss, pain and love's salvation is simply incredible."
-RT Book Reviews on Heir to a Dark Inheritance

"This enticing storyline keeps pages turning, and her words flow; Yates' hero and heroine entertain with their sarcasm, endear when masks come off and sear with their lovemaking."
-RT Book Reviews on His Ring is Not Enough

"Yates skillfully creates an improbable duo whose cultural and professional differences are no match for love, in a story that is compassionate, heartbreaking and hot."
-RT Book Reviews on Heir to a Desert Legacy

About the Author

New York Times�Bestselling author Maisey Yates lives in rural Oregon with her three children and her husband, whose chiseled jaw and arresting features continue to make her swoon. She feels the epic trek she takes several times a day from her office to her coffee maker is a true example of her pioneer spirit.�

Excerpt. � Reprinted by permission. All rights reserved.
Connor Garrett was a grown-ass man. He knew there was nothing to fear in sleep. He knew the darkness of his room didn't hide anything more sinister than a pair of carelessly discarded cowboy boots, waiting for him to stub his toe on them in the dead of night during a sleepy trip to the bathroom.

He knew these things, just like he knew the sun would rise over the mountains just before six this time of year, whether he wanted it to or not. He knew these things as surely as he knew that an early-morning breeze tinged with salt meant a storm would blow in from the coast later. That unintentional run-ins with barbed-wire fences burned like a son of a bitch. That wooden barns burned and people you loved left.

Yeah, he knew all that.

But it didn't stop him from waking up most nights in a cold sweat, his heart pounding harder than a spooked horse's hooves on arena dirt.

Because the simple truth was that Connor Garrett knew all these things, but his subconscious had yet to catch up.

He sat bolt upright in bed, sweat beading on his bare chest and his forehead. If this weren't standard procedure for his body, he might've been concerned he was having a heart attack. Unfortunately, though, he knew at this point that the racing heart, accompanied by chest pain, was just stress. Anxiety.

Damn lingering grief that refused to lessen even as the years passed.

He wasn't surprised when he woke up alone in bed, not anymore. It had been three years, after all. He wasn't surprised, but he noticed. Every time. Was acutely aware of how cold the sheets were on her side of the bed. It wasn't even the same bed he'd slept in with Jessie. He'd bought a new one about a year ago because continuing to sleep in the bed they'd shared had seemed too depressing. But it hadn't accomplished what he had hoped it might.

Because no matter how hard he tried, whether he lay down in the middle of the bed at the start of the night, or even on the side nearest to the window, he always ended up on his side.

The side by the door. In case of intruders or any other danger. The side that allowed him to protect the person sleeping next to him. The side he had taken every night during his eight years of marriage. It was as if his late wife's ghost was rolling him over in his sleep.

And then waking him up.

Unfortunately, Jessie didn't even have the decency to haunt him. She was just gone. And in her place was emptiness. Emptiness in his bed. In his house. In his chest.

And when his chest wasn't empty, it was filled with pain and a kind of dread that took over his whole body and made it impossible to breathe. Like now.

He swung his legs over the side of the mattress, the wood floor cold beneath his bare feet. He stood and walked over to the window, looked out into the darkness. The black shadows of pine trees filled his vision, and beyond that, the darker silhouette of the mountains, backlit by a slightly grayer sky. And down to the left he could barely make out the front porch. And the golden glow of the porch light that he'd somehow managed to leave on before he'd gone to sleep.

His chest tightened. That was probably why he'd woken up.

Abruptly, the dream he'd been having flooded back through his mind. It hadn't been a full dream so much as images.

Opening the door late at night to see Eli standing there, his brother's face grim, bleaker than Connor had ever seen it. And a ring of gold light from the porch had shone around him. Made him look like an angel of some kind. An angel of death, it had turned out.

As stupid as it was, he was half convinced that leaving that same light on downstairs brought the dreams back stronger.

It didn't make sense. But if there was one thing he'd learned over the years, it was that grief didn't make a lick of sense.

He jerked the bedroom door open and walked downstairs, heading toward the entryway. He stood there in front of the door, looking at the porch light shining through the windows. For a second he had the thought that if he opened it, he would find Eli standing there. Would find himself transported back in time three years. Listening to the kind of news that no one should have to hear.

There was a reason his darkest nightmares consisted of nothing more than his younger brother standing on his front porch.

Because in that moment his life had transformed into a nightmare. There was nothing scarier than that. He was confident he could take the bogeyman if need be. But he couldn't fight death.

And in the end he hadn't been able to save Jessie.

And he was not opening the damn door.

He flipped the light off and found himself walking into the kitchen and opening the fridge, rather than going back upstairs. He looked at the beer, which was currently the only thing on the shelves besides a bottle of ketchup and a bag that had an onion in it that had probably been there since the beginning of summer.

He let out a heavy sigh and shut the fridge. He should not drink beer at three in the morning.

Three in the morning was clearly Jack Daniel's o'clock.

He walked over to the cabinet where he kept the harder stuff and pulled out his bottle of Jack. It was almost gone. And no one was here. No one was here, because his fucking house was empty. Because he was alone.

Considering those things, he decided to hell with the glass. He picked up the bottle and tipped it back, barely even feeling the burn anymore as the alcohol slid down his throat.

Maybe now he would be able to get some sleep. Maybe for a few hours he could forget.

He'd given up on getting rest years ago. These days he just settled for oblivion.

And this was the fastest way he knew to get it.

"You should just install a drain in the house so you can hose it down and let all the dirt wash out. Just like you do out in the barn."

"What the hell are you doing here, Liss?"

Felicity Foster refused to be cowed by the overwhelmingly unfriendly greeting her best friend had just issued. It was just Connor, after all. She was used to his less than sparkly demeanor. She was also used to finding him passed out on the couch in the morning.

It would be nice if that occurred less frequently, but if anything, he seemed to be getting worse.

Not that she could blame him. She blamed his barn burning down. As far as the loss of Jessie was concerned, things might have continued to get better had he not lost that, too. It was just a building, bricks and wood, but it was his livelihood. It was just another piece of Connor's dream burned down to the ground. He'd had enough of that. Too much of it.

She was officially pissed at life on his behalf. How much was one man supposed to endure?

"And to answer your rather charming question, Connor," she said, stepping nearer to the couch, "I brought you groceries."

He sat up, his face contorting, making him look a bit like he'd swallowed a porcupine. "Groceries? Why did you do that?"

"I know it's been a while since you've gone out and socialized with actual people, rather than simply sharing your space with cows, so I feel compelled to remind you that the normal human response to this would be thank you!''

He swung his legs over the side of the couch and rubbed his hand over his face. She wanted to do something. To put her hand on his back and offer comfort. She was used to those kinds of impulses around Connor. She'd been fighting them for the better part of her adult life. But her conclusion was always that touching him would be a bad idea. So she stood there, her hands held awkwardly at her sides, leaving him uncomforted. Leaving the appropriate amount of space between them.

That was part of being a good friend. At least, it was part of maintaining a healthy friendship as far as she and Connor were concerned.

"Thank you," he said, his voice gruff. "But why the hell did you bring me groceries? And why did you bring them by before work?"

"I brought you groceries because man cannot live on booze alone. I'm bringing them this morning because I was too tired to lug them over last night, when I actually bought them. So I thought, in the spirit of goodwill and breakfast cereals, I would bring them by now."

"I do like breakfast cereals. I'm ambivalent about goodwill." He stood up, wobbling slightly. "Feeling a little bit ambivalent about gravity, too."

"I'm surprised you feel like eating. How much did you drink?"

He looked away from her and shrugged in a classically Connor manner. Playing things off was an art form with this man. "I don't know. I woke up in the middle of the night. I couldn't get back to sleep so I had a little bit to drink and ended up staying down here. Anyway, I don't really notice the hangovers anymore."

"I don't think building up a resistance to hangovers is a crowning achievement."

"For my lifestyle, it certainly is."

She rolled her eyes. "Come on, cowboy. I'll pour you some cereal."

She shouldn't offer to do things like that for him. She knew it. But she did it anyway. Just like she brought his groceries when she knew his fridge contained nothing but beer. Just like she still came to his house every day to make sure he was taken care of.

"Whoa, wait a second, Liss. We do not know each other well enough for that shit."

"I've known you since I was fifteen."

"The preparation of cereal is a highly contentious thing. You don't know how much milk I might want. Hell, I don't know how much milk I might want until I assess the density and quality of the cereal."

"Are you still drunk?"

"Probably a little bit."

"Kitchen. Now."

Connor offered her a smart-ass smile, one side of his mouth curving upward. She couldn't help but watch him as he walked from the living room into the kitchen. His dark hair was longer than he used to keep it, a beard now covering his once clean-shaven jaw. She didn't mind the look. Actually, didn't mind was an understatement; she thought he looked dead sexy. Though, in her opinion, there was no look Connor had ever sported that she'd found less than sexy. Even that terrible haircut, gelled and spiked up, that he'd had for about a year in high school, his one and only attempt at trendiness. No, on that score, the beard and hair were fine. The real issue was that his mountain-man look wasn't a fashion statement, but an outward sign of the fact that he just didn't take care of himself anymore.

They walked into the kitchen, and with the sun shining through the window like it was now, she could clearly see the coat of neglect that everything wore. The stove had a grease film over the top of it, a shocking amount of splatters on the white surface considering that she knew Connor never cooked anything here beyond frozen pizza. The pine cabinets looked dingy, the front window dotted with a white film of hard-water stains.

The house didn't wear its neglect with quite the same devilish flare its owner did.

Connor reached up and opened one of the cabinets, taking out one of the brightly colored boxes of cereal she had just placed there. It struck her, in that moment, how funny it was she had known exactly where to put the cereal, and that he had known she would.

He grabbed a bowl and placed it on the counter, turning to face her, and she realized then that Connor wasn't wearing his neglect quite as well as he would like everyone to believe. Sure, he was still sexy as hell, the tight lines by his eyes, the deep grooves in his forehead not doing anything to diminish that. But they were new. A map of the stress and grief of the past few years, deepened by his recent losses.

She ached for him. But beyond buying the man's food, there was very little she could do.

She had been about to unload on him about all the crap that was happening with her rental. But it wasn't a good time. Though she doubted with Connor there was ever a good time. Not because he wouldn't care, but because she didn't want to pile on.

Connor poured milk on his cereal, milk she had brought, and set it back on the counter. He picked up his bowl and started eating, crunching loudly on his first bite. "Are you going to have some, Liss?"

"I never say no to cereal. I have important accounting stuff to attend to. I find an early-morning carb rush is the best way to handle that."

"Coffee?" he asked, talking around the food in his mouth.

"I had a carafe before I came over. I don't play around with caffeine consumption."

"Well, I need some." He set the bowl back down on the counter and made his way over to the coffeemaker.

"So you had coffee. Beer, and coffee."

"I'm not an animal."

Liss snickered while she got her own bowl and set about preparing her cereal. There was a strange domesticity to the scene. Mundane conversation, easy morning sounds. Water running in the sink, clattering dishes. The soft filter of early sunlight through the thick wall of evergreens that surrounded Connor's front yard.

There was something poignant about sharing this with him. This moment that seemed to have slipped right out of time. Like something she'd stolen, something she shouldn't have.

Seriously, you would think she was the one who had been drinking. She was maudlin.

Connor started the coffee then returned to the island where he'd prepared his cereal. They stood across from each other, eating in silence, except for the crunching. And the sounds of the coffeemaker.

More morning sounds she was not entitled to.

Because this was the kind of thing a guy shared with his lover or wife. Not with his oddly codependent best friend.

"Have you heard back from the insurance company about the settlement?" The barn had burned down in July thanks to a few kids carelessly playing with fireworks, and while Liss knew that insurance companies could drag their feet to a pretty insane degree, this was going somewhere beyond that.

It was mid-September, and as far as she knew, Connor's bank account remained void of settlements.

"Nope."

"Well, that's a little bit ridiculous, don't you think?"

He shrugged one shoulder then took another bite of cereal. "Probably. Just haven't had the energy to go chasing it down."

"Don't you think you should find the energy? All that equipment…"

"I'm very aware of what I lost in the fire. I don't need you to summarize. Anyway, I've been making use of Bud's old tractor. Plus, Jack had some extra tools."

"That's very nice. But don't you want your own things?"

"Yes, Liss," he said, his tone getting hard. "I would very much like to have my own shit. Actually, what I would really like is for my barn not to have burned down."

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great Book
By Amazon Customer
Great story, very good read. Enjoying the Cooper Ridge Series. Masey Yates books are fun to read. Highly recommend to anyone who enjoys romantic stories.

0 of 0 people found the following review helpful.
Awesome
By Kindle Customer
This may be one of my new favorite series. I really enjoyed Conner and his crankiness. Can't wait to read Kate's story.

0 of 0 people found the following review helpful.
Great book
By Meshawn34
Love this book I like the whole series does not disappoint

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Fireworks with the Billionaire Boys Club (Billionaire Romance Series Book 8), by Cara Miller

Their second year of law school behind them, Kelsey and Tyler decide to spend the summer together. Swamped by work and overwhelmed by obligations, they try to find time to enjoy the few moments they have.

A weekend in Kelsey’s hometown generates more questions than answers, and Kelsey’s strong relationship with her mentor threatens her relationship with Tyler. When a surprise by Tyler creates a catastrophe for Kelsey, will her resentment destroy them for good?

  • Sales Rank: #81704 in eBooks
  • Published on: 2015-06-21
  • Released on: 2015-06-21
  • Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Good story but need to address the strange lack of intimacy between adults who are supposed to be madly in love
By Amazon Customer
I have liked this series but the author's reluctance to address the romantic nature of the two main relationships in the books is starting to become distracting. It's no longer romantic tension---it's eroding the believability of the story itself. It's fine to keep things relatively "clean" but the almost total absence of any intimacy beyond hand holding, hugs, and an occassional kiss is simply unrealistic without some sort of explanation. These are 4 adults--one of whom is supposed to be a noted playboy. I was relieved this latest book FINALLY touched on this topic (I've been wondering if Tyler might be gay). Unfortunately the issue was reduced to passing, vague comments about being "responsible". The author doesn't need to write detailed erotica -- but some more realistic portrayal of the romantic Iives of contemporary 20-somethings who have been dating for over a year would make this tale stronger simply b/c it currently stands out as plot point with no clear rationale.

2 of 2 people found the following review helpful.
I LOVE HER BOOKS THEY ARE SO GOOD IT JUST SHOWS ...
By Tiffany baker
I LOVE HER BOOKS THEY ARE SO GOOD IT JUST SHOWS YOU THAT YOU DONT NEED SEX IN A BOOK TO MAKE IT GREAT.

2 of 2 people found the following review helpful.
Five Stars
By Melissa Borden
I love this series. I cannot wait until the next book comes out!!

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Sabtu, 20 Maret 2010

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  • Sales Rank: #643928 in eBooks
  • Published on: 2015-12-17
  • Released on: 2015-12-17
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Enhance your A-Team communication! Connect with ArchAngel Raphael.
By Thea A.
Another gift from Sunny Dawn Johnston and the ArchAngels! This book is a must read for anyone wanting to experience the loving protection and healing offered by inviting ArchAngel Raphael into their life. A great read for those already in touch with Angel wisdom and protection, and those newer to the Aneglic support we are all given. The detailed, step-by-step approaches to working with ArchAngels are effective and easy to follow. The affirmations and interactive exercises are uplifting.

Archangel Raphael: Healing & Restoration: A 33-Day Guidebook

Archangel Michael: Maintain Your Energy: A 33-Day Guidebook

2 of 2 people found the following review helpful.
love this helpful book
By Love Amazon
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1 of 1 people found the following review helpful.
Five Stars
By cecelia magill
A good book.

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[Y719.Ebook] Free PDF Negotiating the Gift: Pre-Modern Figurations of Exchange (Veroffentlichungen des Max-Planck-Instituts fur Geschichte)

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Negotiating the Gift: Pre-Modern Figurations of Exchange (Veroffentlichungen des Max-Planck-Instituts fur Geschichte)

  • Published on: 1656
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Jumat, 12 Maret 2010

[J174.Ebook] Fee Download The Hidden Order of Art: A Study in the Psychology of Artistic Imagination, by Anton Ehrenzweig

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From the Preface:The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms.�A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition.�There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making.

  • Sales Rank: #743846 in Books
  • Published on: 1971-05-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .77" w x 5.24" l, .88 pounds
  • Binding: Paperback
  • 336 pages

From the Inside Flap
"One of the most intelligent books ever written about the psychology of artistic creativity. . . . as relevant to the present situation of psychology as it is to the present situation of art."--John Russell, The Sunday Times (London)�"In his remarkable study he has evolved an altogether new psychology of the artist and the art-work which accounts particularly for the development, significance, possibilities and limitations of modern abstract art."--The Times Literary Supplement

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51 of 54 people found the following review helpful.
an unusual look at perception and creativity
By Ruth Henriquez Lyon
The author of this book, who died in 1966, was an art student in Vienna and later lectured in art in England. He wrote the book in the sixties, when the Gestalt theory of perception was very much in vogue. His view of truly creative perception, however, is very different from the Gestalt view. He maintains that Gestalt perception is analytic in nature, since part of Gestalt theory focuses on how we separate a figure from its background in order to give meaning to what we see. Accordingly, it demands a certain maturity in the human brain's development, and only begins to be used by children around the age of eight.

Citing research papers on development and perception, Ehrenzweig argues that younger children and artists use what he terms "undifferentiated perception" in perceiving the world--this form of perception is holistic and non-hierarchical. It makes no distinction between figure and ground, or between main subject and minor subject. He believes that on an unconscious level, we are all continuously scanning the environment in this way. However, only small children and some adults are open to the information thus gained.

One example he uses of how an adult uses non-differentiated perception is a chess master who is able to plot several moves ahead. Since each potential move has several possible subsequent moves, the permutations of possibilities inherent in a few moves ahead are truly daunting, and the use of one's analytic ability to evaluate them all would require more time than is available. Ehrenzweig maintains that the chess master does not evaluate a series of moves in an analytical manner, but rather uses non-differentiated perception, which allows many more computations to be carried out on a subconscious level.

His arguments are compelling, and after cultivating undifferentiated perception myself, and raising young children who did seem to use it quite naturally, I was convinced that he was on to something. I've had this book since 1988 and still refer to it when I'm thinking or writing about issues in perception, creativity, or consciousness. However, there does not seem to have been much written about this topic in the scientific journals in the years since the book was published. Not being trained in psychology or perception, I cannot comment on why this is so. Nevertheless, the book has changed the way that I experience and think about my own mind. Moreover, it has helped me greatly in my creative projects, as well as in picking up information from the environment that later turns out to be quite useful.

3 of 3 people found the following review helpful.
Defines creativity and frames into a psychological process.
By Dr. Leonid Handsjuk
Ehrenzweig is a teacher. The book is challenging, provoking and extending of an experiential vision of what is the psychological base of the artistic creative process.
He has enriched my looking and listening; adding pleasurable depth to both.
There is a small challenge to different psychologies. That is a bonus to students of these evolving disciplines.
I wish I had discovered this work 30 years ago.
Leonid

1 of 1 people found the following review helpful.
Confirms the psychological basis for creativity
By Jennifer F Armstrong
Art theorist Anton Ehrenzweig's understanding of creativity elaborates on how artists require a certain ego "dedifferentiation" as they submit to a certain influence of Thanatos - the death instinct followed by a reconstitution of their vision (by means of Eros):

I have suggested that Thanatos, the death instinct, could be made responsible for the self-destructive effect of dedifferentiation a temporary decomposition of the (depth) ego; abstract thought can be seen as a success of Eros, the life instinct [...] (Ehrenzweig 1967: 284).

This psychological dynamic described above exemplifies the meaning of Nietzsche's Zarathustra saying: "I love those who do not know how to live except their lives be a down-going, for they are those who are going across."

In other words, to create art involves a temporary sacrifice of the ego, as both Nietzsche and Ehrenzweig observed.

The insights of the book are astounding.

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