Jumat, 25 Januari 2013

[Q594.Ebook] Download Ebook Fire and Ice : The Story of Charles Revson, the Man Who Built the Revlon Empire, by Andrew Tobias

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Fire and Ice : The Story of Charles Revson, the Man Who Built the Revlon Empire, by Andrew Tobias

This is the story of Charles Revson (b.1906 d.1975), the insecure kid from a cold-water flat in Manchester, New Hampshire, who never went to college but founded Revlon. He went from putting the nail polish on his own nails (to test it) and criss-crossing the country by rail (to sell it) to, ultimately, a $5,000-a-day New York lifestyle complete with a 257-foot yacht, the Ultima II, whose gas tank cost $20,000 to fill and whose staterooms Revson liked to keep chilly enough, in the heat of the Caribbean, to require toasty electric blankets. (Andrew Tobias)

  • Sales Rank: #1902824 in Books
  • Published on: 1977-07
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Mass Market Paperback

Most helpful customer reviews

3 of 3 people found the following review helpful.
A Fascinating Portrait of a Corporate Legend
By Azamie
I had read bits and pieces of this book, and wanted to read the whole story. I couldn't put it down! Andrew Tobias goes way behind the scenes to capture the man who was Revlon; the biggest and most flamboyantly-run cosmetics empire...before Estee Lauder , there was Charles Revson and Revlon. He was loathed, feared, repudiated and sometimes admired---the stories in this book are almost surreal in content. It is a lesson in history and how things used to be; before all of the politically-correct manure that passes for advertising in today's world. I strongly recommend this book; characters like Charles Revson do not exist anymore; they are, though, part of the American folklore and what Madison Avenue and the really big corporations used to be. It's How to Succeed in Business by Really Trying!

3 of 3 people found the following review helpful.
Charles Revson was not as beautiful as the world he created
By EstherBunny
I read this book in the 1980's. Loaned it out and thought I would
never see it again. Thank you Amazon! Mad Men ain't got nothing
on Chucky!

1 of 1 people found the following review helpful.
Five Stars
By GLAFY
You have to read this book if you think your boss is difficult.

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Sabtu, 19 Januari 2013

[X515.Ebook] Get Free Ebook The Theory and Practice of Group Psychotherapy, Fifth Edition, by Irvin D. Yalom, Molyn Leszcz

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The Theory and Practice of Group Psychotherapy, Fifth Edition, by Irvin D. Yalom, Molyn Leszcz

In this completely revised and updated fifth edition of group psychotherapy’s standard text, Dr. Yalom and his collaborator present the most recent developments in the field, drawing on nearly a decade of new research as well as their broad clinical wisdom and expertise. Among the significant new topics: Online therapy Specialized groups Ethnocultural diversity Trauma Managed care Plus hundreds of new references and clinical vignettes

  • Sales Rank: #8436 in Books
  • Brand: Yalom, Irvin D./ Leszcz, Molyn
  • Published on: 2005-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 2.00" l, 2.11 pounds
  • Binding: Hardcover
  • 688 pages

Review
"This is far and away the best book about group psychotherapy.... Yalom writes fluently, knowledgeably, and with clarity and uncommon good sense."

About the Author
Irvin D. Yalom, M.D., is professor emeritus of psychiatry at the Stanford University School of Medicine. He was the recipient of the 1974 Edward Strecker Award and the 1979 Foundation's Fund Prize in Psychiatry. He is the author of When Nietzche Wept (winner of the 1993 Commonwealth Club gold medal for fiction), Love's Executioner, Every Day Gets a Little Closer (with Ginny Elkin), and the classic textbooks Inpatient Group Psychotherapy and Existential Psychotherapy. Molyn Leszcz, M.D., F.R.C.P.(c) is head of the Program in Psychotherapy at the University of Toronto.

Most helpful customer reviews

22 of 24 people found the following review helpful.
The "master" speaks to grasshopper...
By Eliza Bennet
Yalom has vast knowledge and experience with group therapy, and in this book he imparts it to neophyte counselors in a logical and detailed format. He carefully explains the therapeutic value of a group, the factors necessary to facilitate change, and the role of the therapist. He emphasizes the here-and-now focus, and how group members create a social microcosm of their life within the therapy group. Yalom advises on practical matters, like the selection of clients and the creation of the group. He then carefully explores the stages that groups move through, and some problem members that one could encounter.

The drawbacks of this volume include the length - it is excessively long (they could cut chapter 9) due to the verbosity of the author. I had to look up several words and phrases that I was unfamiliar with, and I have to admit, some pages bored me. Nevertheless, for a text, this is a great book. I read every page, to the end, even the unassigned chapters. I'll keep this in my library for reference, and I hope to be able to refer to it repeatedly.

15 of 15 people found the following review helpful.
Yalom rocks!!
By Anne M. Baumgartner
I love reading Yalom. He makes group therapy concepts flow like a river. I would give this as a gift to every student of psychology, psychiatry, nursing, social work, that I know. Not having won the lottery, I am thrilled to have it in my own library.

13 of 13 people found the following review helpful.
authentic and proficient towards human health
By Jean Boutiere
Cristal clear, authentic, proficient, interpersonal aproach.I read the book 10 - 12 hours per day, almost without pause.Useful in all paradigms. The therapeutic factors are : instilation of hope,universality, imparting information, altruism, corrective recapitulation of thr primary family group. The comparative value of the clients'and therapists' views are very usefully presented.Working in the Here-and-Now, positive and negative catharsis ( with corrective interpretation),and the liaison with other books of professor Yalom, are only a few ideas of this great book. I recommand it for student, teachers and everyone interested in personal development.
Jean Boutiere

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Kamis, 17 Januari 2013

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  • Sales Rank: #4983180 in Books
  • Published on: 1999-05-19
  • Binding: Paperback

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Selasa, 15 Januari 2013

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With classroom-tested lessons by Carol Adamski

  • Sales Rank: #13962998 in Books
  • Published on: 1977
  • Binding: Paperback

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L'�glise pendant des si�cles, a �t� � la baisse de la place qu'elle devrait l'�tre. Dieu dit que nous sommes � ne fonctionne plus. La plupart des minist�res ne font m�me pas les oeuvres de J�sus. Choses sont sur le point de changer. Dieu a parl� de ce que j'ai d�couvert est mis � disposition afin que nous puissions tous atteindre le prix de notre haute vocation. Il est temps pour nous de d�bit aux miracles prodiges et des miracles. Je parle de m�me dans l'Eglise locale. Pr�parez-vous � une augmentation de l'onction. Rappelez-vous qu'il va vous en co�ter quelque chose, mais cela en vaut la peine. Vous �tes sur le point de d�couvrir trois vie modification des types d'onction. Il est le r�v�lateur, le disjoncteur et l'onction royale. C'est les choses les plus importantes que j'ai d�couvert qu'a un niveau sup�rieur onction. The Church for centuries has been on a decline from the place it should be. God said that we are to do greater works. Most ministries are not even doing the works of Jesus. Things are about to change. God has spoken that what I have discovered is being made available so that we can all attain the prize of our high calling. It is time for us to flow in miracles signs and wonders. I’m talking about even in the local Church. Get ready for an increase of the anointing. Remember it is going to cost you something but it will be worth it. You are about to discover three life changing types of anointing. There is the revelatory, the breaker, and the kingly anointing. This is the most important things I discovered that brought a higher level anointing.

  • Published on: 2013-09-14
  • Original language: French
  • Number of items: 1
  • Dimensions: 9.00" h x .34" w x 6.00" l, .46 pounds
  • Binding: Paperback
  • 148 pages

About the Author
Bill Vincent is no stranger to understanding the power of God. Not only has he spent over twenty years as a Minister with a strong prophetic anointing, he is now also an Apostle and Author with Revival Waves of Glory Ministries in Litchfield, IL. Along with his wife, Tabitha, he, leads a team providing apostolic oversight in all aspects of ministry, including service, personal ministry and Godly character. Bill offers a wide range of writings and teachings from deliverance, to experiencing presence of God and developing Apostolic cutting edge Church structure. Drawing on the power of the Holy Spirit through years of experience in Revival, Spiritual Sensitivity, and deliverance ministry, Bill now focuses mainly on pursuing the Presence of God and breaking the power of the devil off of people's lives. His books 48 and counting has since helped many people to overcome the spirits and curses of Satan. For more information or to keep up with Bill's latest releases, please visit www.revivalwavesofgloryministries.com. To contact Bill, feel free to follow him on twitter @revivalwaves.

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Short Stories

Celia Correas de Zapata, an internationally recognized expert in the field of Latin American fiction written by women, has collected stories by thirty-one authors from fourteen countries, translated into English by such renowned scholars and writers as Gregory Rabassa and Margaret Sayers Peden. Contributors include Dora Alonso, Rosario Ferr�, Elena Poniatowska, Ana Lydia Vega, and Luisa Valenzuela. The resulting book is a literary tour de force, stories written by women in this hemisphere that speak to cultures throughout the world. In her Foreword, Isabel Allende states, “This anthology is so valuable; it lays open the emotions of writers who, in turn, speak for others still shrouded in silence.”

  • Sales Rank: #670506 in Books
  • Brand: Brand: Modern Library
  • Published on: 2003-01-14
  • Released on: 2003-01-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.97" h x .56" w x 5.18" l,
  • Binding: Paperback
  • 246 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
"Until very recently," novelist Allende writes in the foreword to this comprehensive collection, "Latin American literature was-with very few exceptions-a man's game." No more. Combining prominent names such as Luisa Valenzuela, Elena Poniatowska and Allende with others little known outside their home countries, this anthology shows off the wealth of fiction being written today by Latin American women. Editor Correas de Zapata, a San Jose State University professor of Hispanic literature, has chosen stories from around the continent and the Spanish-speaking Caribbean. Brazilian author Clarice Lispector's "Looking for Some Dignity" is a bracing tale of an elderly women's creeping senility and waning sense of self. A number of stories, such as "Sophie and the Angel," by Cuba's Dora Alonso, about an old widow visited by an angel playing an electric guitar, show that Latin American men don't hold the patent on magic realism. Others, such as "Cloud Cover Caribbean," by Ana Lydia Vega of Puerto Rico, are firmly in the realist tradition; in this case, a refugee boat heading toward Miami founders because of the mutual mistrust of the passengers. If there's a flaw, it's that the sheer number of authors-31 in all-coupled with the brevity of each selection make it difficult for individual voices to stand out. The editor clearly favors breadth over depth, showcasing as many writers as possible in this appealing smorgasbord.
Copyright 2003 Reed Business Information, Inc.

From Library Journal
This thoughtful collection is another welcome addition to the small but growing body of literature by contemporary Latin American women writers in translation. (See, for instance, Landscapes of a New Land , LJ 12/89.) The anthology includes 32 short stories by 31 women from 14 countries. The writers are all well known in their own countries, but few--except Isabel Allende, who has also written the foreword--will be known to most readers in this country. The other writers, including Clarice Lispector, Carmen Naranjo, Luisa Valenzuela, Rima de Vallbona, and others, certainly deserve our recognition. Correas de Zapata's scholarly introduction sets the tone for the collection, which should be enjoyed by nonscholars as well.
- Mary Margaret Benson, Linfield Coll . Lib., McMinnville, Ore.
Copyright 1990 Reed Business Information, Inc.

From Booklist
Thirty-one authors representing 14 Latin American nations are showcased in this collection. Traditionally, Latin American culture has virtually ignored the contributions of the few women able to give voice to their imaginations. Fortunately, that mindset has begun to evolve, and record numbers of Latin American females have been entering the recognized literary ranks. The enormous popularity of magic realism has also provided an enthusiatic international audience for previously unrecognized regional writers. Although diverse in plots and themes, these stories are unified by the fact that they were all authored by female residents of male-dominated societies and are all grounded in various combinations of the realistic, the surrealistic, and the supernatural. First published and translated in 1990, the Modern Library stamp of approval guarantees renewed interest in this stellar anthology. Margaret Flanagan
Copyright � American Library Association. All rights reserved

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20 of 22 people found the following review helpful.
Worthwhile for Its Range of Authors
By Reader in Tokyo
This book was published in 1990 and contained 32 pieces by 31 writers, from 13 nations and Puerto Rico. It gathered together many Latin American female writers, who didn't begin to receive due attention in earlier anthologies in English for the region until starting from the mid-1980s.

The oldest writers it contained were Bolivia's Mar�a Virginia Estenssoro (1902-70), Paraguay's Josefina Pla (1909-99), Chile's Mar�a Luisa Bombal (1910-80), Argentina's Luisa Mercedes Levinson (1910-87), Cuba's Dora Alonso (1910-2001), Venezuela's Antonia Palacios (1910-2001) and Mexico's Elena Garro (1916-98). Those born in the 1920s and 30s included Marta Traba, Clarice Lispector, N�lida Pi�on, Carmen Naranjo, Rosario Castellanos and Elena Poniatowska. The youngest were those born in the 1940s: Isabel Allende, Liliana Heker, Rosario Ferr� and Christina Peri Rossi. Writers such as Laura Esquivel, born later, and Gabriela Mistral and Carmen Lyra, born before 1900, weren't included. Brazil's Dinah Silveira de Queiroz and Lygia Fagundes Telles were other, more contemporary writers who weren't selected.

As far as could be judged, the pieces ranged from the 1930s to the 1980s, with the main focus on the last few decades. Argentina had the greatest number of selections, with Levinson, Orozco, Traba, Valenzuela, Kociancich, Heker and Glickman, followed by Mexico, with Garro, Due�as, Castellanos, D�vila and Poniatowska. Although the collection aimed to highlight female writers in the region, it provided only brief biographies for the authors and almost no information on the dates of publication or sources for the stories it contained.

The stories were of many types. A number were good at conveying their female protagonists' shifting mental landscapes as they considered or struggled against their husband (Bombal, Castellanos), revenged themselves on man and fate (Levinson), fantasized about love (Guerra), relived moments of deepest intimacy with a former lover (Palacios), meditated on what it meant to have a child (Estenssoro), recalled a youthful obsession with the worlds of fragrances and shoes (Duenas), or faced old age and approaching death (Lispector).

Others contained a narrator but gave most attention to the surrounding characters. For example, a story by Llano about a family that found its dead relatives appearing on the other side of a mirror in their home. Or Glickman's story set in the past, describing relationships among her elderly Jewish relatives and friends, emigrants from persecution in Europe.

Most of the stories were set in the present, more or less. Others were set in the past: the story by Glickman, or a story by Kociancich, which took its inspiration from a well-known woodcut from the Renaissance picturing a knight, death and the devil. Another, by Pla, depicted the final moments of a former Spanish conquistador, dying in bed in the new land, old and isolated from those around him. One, by Y��ez Coss�o, took place in the future. It had no main characters and seemed to be a parable about society as a whole, using mainly the subject of computers.

Some of the stories were written ostensibly from a man's point of view. Besides those by Kociancich and Pla just mentioned, one by de Vallbona showed a young man's horror at his mother's declaration of freedom from her marriage, hand in hand with his growing attraction. In a story by Araujo, a narrator from a privileged group of leftist students recounted a kidnapping they attempted that went wrong; this was one of the few stories from the region I've read that referred to the period of student unrest in the 1960s.

An unsubtle story by Pi�on showed a male landowner's reverence for his prize cow, from her purchase to her giving birth, to her sickness and death. A parody by Poniatowska took the form of a letter written by a jealous man to a French film actress, denouncing her for her "infidelity" to him by falling in love on screen, and ending by asking for her autograph and revealing he was in jail for attacking her image in the theater. In a funny story by Vega, which began on a makeshift craft struggling toward the U.S., two Spanish-speaking refugees from Cuba and the Dominican Republic ganged up on a French-speaking Haitian, but to the North Americans on the ship that rescued them they all looked the same. The only person on the ship shown to be working was a Puerto Rican deep in the hold.

A handful of other stories were fragmented, rambling or tiresome, with a point I was unable to grasp.

Almost none of the stories, when they focused on women, showed them in control of their own lives or free of the limits placed on them by families, husbands or lovers. Very few stories focused on, say, love between equals or the love between mothers and children. In a rare work showing a couple on more or less equal terms (Naranjo), a man and woman fell into a relationship and each started taking on characteristics of the other: the man became pregnant, and the woman began growing a beard and speaking in a deep voice. The story by Allende was primarily about the violence that brought a man and a woman together and then drove them apart, in the form of a folktale or allegory, with characters larger than life. None of the stories contained anything so mundane as a woman at work in an office.

Many of the stories used magic realist devices like exaggeration and absurdity (Solari, Naranjo) or blended hallucination and reality (Guerra, Davila, Llano, Palacios, Ferr�, Garro). In the work by Solari, students attacked and ate a sensitive poet-teacher who'd lost control of her class. In the piece by Davila, a man saw his double walking with a stranger, and his consciousness shifted gradually into that of the second man or something deeper, resembling the style of Cort�zar. The work by Ferr� shifted between the points of view of a selfish mother-in-law, bookish daughter and omniscient narrator, jumped back and forth in time, and was circular in form, with the conclusion becoming the beginning. The story by Garro contained a woman who appeared to belong to both the modern day and the time of the Spanish Conquest, with a husband in the present and a wounded Indian lover in the past, and the two realities penetrating each other. Other than these last two relatively complex pieces, for the most part the stories avoided complicated shifts in point of view or time like those found in writers like Asturias, Carpentier, Lezama Lima, Rulfo, Donoso, Sarduy or Arenas. Nor were there metaphysically intricate constructions like those of Borges.

For me, a handful of stories were really outstanding all the way through: Levinson, say, or Poniatowska. Yet the editor took great care in selecting a range of authors, styles and subjects, and that range, rather than the power of any particular story, was what was enjoyed most. The writing, too, ran along a spectrum from the following, in one piece:

"During the following days both of them opened the floodgates of repressed love and, for the first time since their cruel fate was decided, opened themselves to receive the other's proximity."

To this in another work, by Levinson:

"The expression on her face was no different from that of a great many women one meets in towns or cities: a mask of melancholy or tedium, and behind the mask, nothing . . . . Stretched out on the hammock, fanning herself, her face impassive, it was only her body that moved, undulating over the netting, multiplying its flutterings like the thousands of brilliant underwater fish disputing among themselves in an unnatural environment, to no end; all a bit monstrous."

This, by Palacios:

"And Delia feels fulfilled, frightened with a fulfillment and abandon that leaves her she knows not where . . . .Delia forgets her name, her birthdate, her fingerprints, those shallow curving designs on her fingertips . . . And Delia is moving, moving with the earth alongside Joaqu�n with an inebriating and all-enveloping sensation and feels lifted and detached from this earth, projected to those infinite heights she may not reach; or maybe descending, slowly, to those depths beyond the subsoil, beyond the seas, beyond the bottoms of the seas . . . Delia loses her memory and all notion of time, hours or minutes, seconds or centuries. Delia forgets yesterday's memories and tomorrow's . . ."

And this, by Lispector:

"But it happens that the woman also thought: it was too late to have a destiny. She thought that any kind of switch with another human being would do her good. It was then that it occurred to her there was no one else with whom she could trade places . . . . Why hadn't the other old women advised her that this could happen until the end? . . . . Without even one sublime thought to serve as a rudder and ennoble her existence . . . . She concluded that she was going to die as secretly as she had lived. But she also knew that every death is secret . . . .

"It was then that Mrs. Jorge B. Xavier abruptly doubled over the sink as though she were going to vomit out her viscera and she interrupted her life with an explosive silence: there!--has!--to!--be!--a!--way!--out!"

Earlier anthologies of female writers for the region include Other Fires: Short Fiction by Latin American Women (1986) and Landscapes of a New Land: Short Fiction by Latin American Women (1989). Later ones include Out of the Mirrored Garden (1995) and Cruel Fictions, Cruel Realities: Short Stories by Latin American Women Writers (1997).

0 of 0 people found the following review helpful.
Rich in Metaphor & Nuance, Probably best read in a class or readers' group
By Sherrie Miranda
This book was a real mixed bag. Although many of the Latina writers have published novels that are excellent, their short stories often left you wondering about their skills in this arena. Or maybe it is the reader who needs more skills or understanding of life in Latin America? I can't discount them for my possible lack.
There were a few very well-written stories that I enjoyed immensely. Then there were the horror stories you wish you hadn't read, like "Death And Transfiguration of A Teacher" in which the female students killed, cut up & ate their sensitive and poetic teacher! I get the allusion. As a teacher myself, I often referred to the fresh new teachers as being eaten alive by the students, but still, it was not the kind of story one wants to read before going to sleep.
Most of the stories were quite rewarding, though I would have preferred to have discussed each story in a classroom or group situation as I think I would have gotten more out of them.
Such seems to be the way of Latino authors, both male and female. They are so rich with metaphor and nuance that they are meant to be read in a group where they can be discussed.

9 of 14 people found the following review helpful.
Nice collection
By mitzigg04
I loved the collection of different stories providing and showing magical realism and how it is used. I would recommend it to anyone doing a study on latin american women like I am. Very helpful, with neat stories! Check it out!

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Senin, 14 Januari 2013

[U565.Ebook] Ebook Free A Dog's Purpose, by W. Bruce Cameron

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A Dog's Purpose, by W. Bruce Cameron

The beloved fifty-two week New York Times bestseller by W. Bruce Cameron, A Dog's Purpose is now a major motion picture from Amblin Entertainment in association with Walden Media and distributed by Universal Pictures! This remarkable story of one endearing dog's search for his purpose is directed by Academy Award-nominated director Lasse Hallstr�m and stars Dennis Quaid, Britt Robertson, Josh Gad, K.J. Apa, Juliet Rylance, John Ortiz, Luke Kirby, and Peggy Lipton.

Heartwarming, insightful, and often laugh-out-loud funny, A Dog's Purpose is not only the emotional and hilarious story of a dog's many lives, but also a dog's-eye commentary on human relationships and the unbreakable bonds between man and man's best friend. This moving and beautifully crafted story teaches us that love never dies, that our true friends are always with us, and that every creature on earth is born with a purpose.

Bailey's story continues in A Dog's Journey, the charming New York Times and USA Today bestselling direct sequel to A Dog's Purpose.

  • Sales Rank: #8774 in Books
  • Published on: 2010-07-06
  • Released on: 2010-07-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.77" h x 1.14" w x 6.45" l, .87 pounds
  • Binding: Hardcover
  • 320 pages
Features
  • 1st Edition
  • Hardcover
  • W. Bruce Cameron
  • A Dog's Purpose

From Publishers Weekly
A tail-wagging three hanky boo-hooer, this delightful fiction debut by newspaper columnist Cameron (8 Simple Rules for Marrying My Daughter) proposes that a dog's purpose might entail being reborn several times. Told in a touching, doggy first-person, this unabashedly sentimental tale introduces Toby, who's rescued by a woman without a license for her rescue operation, so, sadly, Toby ends up euthanized. He's reborn in a puppy mill and after almost dying while left in a hot car, he's saved again by a woman, and he becomes Bailey, a beloved golden retriever, who finds happiness and many adventures. His next intense incarnation is as Ellie, a female German shepherd, a heroic search and rescue dog. But the true purpose of this dog's life doesn't become totally clear until his reincarnation as Buddy, a black Lab. A book for all age groups who admire canine courage, Cameron also successfully captures the essence of a dog's amazing capacity to love and protect. And happily, unlike Marley, this dog stays around for the long haul.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Like cats, dogs have multiple lives. At least, Bailey, the canine narrator of this first novel, has more than one. Bailey’s first life is spent as a feral puppy who learns to trust humans after living with a loving but slightly dotty woman who owns too many dogs to suit the county. Bailey is removed by animal control, and his next life brings him to young Ethan, the human Bailey will love and search for through all his subsequent lives, first as part of K-9 Search and Rescue and then as a dumped and mistreated mutt. Through all these lives, Bailey contemplates his purpose in a voice full of curiosity and humor. He ruminates on the usefulness of cats (“none”) and the strange natures of humans (“Am I a good dog or a bad dog? They can’t decide”). This quickly paced, touching novel will charm all animal fans, especially those who loved Garth Stein’s The Art of Racing in the Rain (2009) and Vicki Myron’s Dewey (2008), the best-selling saga of a library cat. --Kaite Mediatore Stover

Review

“I loved the book and I could not put it down. It really made me think about the purpose of life. At the end, I cried.” ―Temple Grandin, New York Times bestselling author of Animals in Translation

“Marley and Me combined with Tuesdays with Morrie.” ―Kirkus Reviews

“A Dog's Purpose is the most accurate window into a dog's mind I have ever encountered. I couldn't put it down, and once I finished it, I actually felt is if my dog, who had recently passed away, was speaking to me through this book. A triumph, impeccably detailed with intelligence and heart.” ―Dina Zaphiris, Host, "Petfinder" Animal Planet

“A Dog's Purpose takes the reader on a special journey, exploring the mysterious and marvelous bond between people and animals. Bruce Cameron spins a tale of tails that wag, lessons that are learned, and special relationships that shine with courage and devotion. A good book to read with your best friend at your side.” ―Tony La Russa, manager of the St. Louis Cardinals and co founder of the Animal Rescue Foundation

“Finally, a fictional dog who is a real dog! Anyone who has ever loved a dog needs to read this wise, touching, often hilarious book. Bailey, the narrator, tells the absolute dog truth about how intuitive your dog is, how profoundly your dog loves you (and how very much they love to roll in road kill, and how puzzled they are that you don't love it, too). Most importantly, this book allows the reader to intimately experience a genuine dog's eye view of the bond between dogs and humans, and how nothing, not even death, can ever end that bond.” ―Dr. Marty Becker, Resident Veterinarian on Good Morning America and the Dr. Oz Show

“This book is a classic. A beautiful, uplifting, tenderly told, frequently funny, and exquisitely moving story…I am awash in the tears of recognition every dog lover will shed when they read this remarkable book.” ―Iris Dart, New York Times bestselling author of Beaches

“This is an exquisite, magical, fantastic book. I devoured it in a, "I-resent-anything-that-prevents-me-from-getting-back-to-the-book-why-do-I-have-to-work-my-kid-is-almost-six-can't-he-drive-himself-to-school?" way. I adored Bailey, the dog narrator, and though I got teary, I absolutely loved this book. You should quickly fetch "A Dog's Purpose," an exemplar of the literary canine canon.” ―Duncan Strauss, Host,"Talking Animals" NPR

“This wonderfully imagined, inspirational tale is told by a spiritual guide dog who teaches us that our life's purpose is best accomplished when the word "love" is a verb. Bailey the dog knows the profound truths: there is no death, and fear is our greatest enemy. If you are a human, you need to read this treasure of a book.” ―Dannion Brinkley, New York Times Best Selling Author, "Saved By the Light"

“I finished this book and wanted to read it all over again. A funny, enchanting, and utterly believable story of the multiple lives of a most articulate canine, A Dog's Purpose convinced me that there must be reincarnation and that author W. Bruce Cameron was once a dog. How else could he so poignantly detail life, love, and loyalty from the four-pawed point of view?” ―Victoria Moran, author of Living a Charmed Life

“Usually when I read a book this brilliantly written, I wish I had written it, but in this case I'm just grateful it was written at all. For years I grieved and agonized over the choices I made in caring for my dog at the end of her life, but after hearing from Bailey how deeply our dogs feel what we humans go through, I know my dog loved me till the end, and loves me still, as I love her. This book healed me.” ―Cathryn Michon, author of The Grrl Genius Guide to Life

Most helpful customer reviews

505 of 521 people found the following review helpful.
Three Words
By John C. McDonnell
I received a publisher's advance copy of W. Bruce Cameron's first novel, "A Dog's Purpose". In a word? Magnificent. OK, two words. Brilliant. Actually three. Soul.
Bruce Cameron has brought forth a magnificent, touching piece of a soul's journey through life in search of purpose and meaning. At times hilarious and yet other times heart breaking, Bruce brilliantly weaves a story of a dog and its quest that is told with such heart and humanity that anyone who has ever had a dog (or any pet , for that matter) feels that this truly is how they see us and the world in which they live.
The humor is real and effortless. You will find yourself laughing out loud. You will also cry. Real tears born out of your life's memories of pets past and the essential intertwining of souls that exists in no other relationship.
That bond (from the dog's perspective) is what brings the true love in this novel to life.
Though many dream of writing that one great novel, the difference here is that Bruce Cameron has done it right out of the gate and I have a feeling that there is plenty more where that came from. An essential, five star must read.

226 of 234 people found the following review helpful.
An Absolutely, Positively Wonderful Book
By R. A. Taylor
A Dog's Purpose is one of the most fantastic, wonderful books I've ever read. Many have tried to write from the animal's perspective, but Bruce Cameron has hit it head on. I've never experienced so many emotions while reading one book. I laughed, I cried, I cheered.

Put in the context of what is going on in my life right now, I was just waiting for A Dog's Purpose. My son and his wife had to have their 15-year-old golden retriever put to sleep after a long and full life, a short time ago. Even though I was 1,300 miles away from them at the time, I went through the pain and the grief. Right now I'm visiting with him and his wife and we started talking about them getting another dog. Initial reluctance moved on to checking out rescue web sites to starting to make a list of potential new puppies. And then they found THE ONE. And so while I was reading A Dog's Purpose, Tucker came to live with my son and his wife. I can see in Tucker's face the knowledge, the understanding and the love that is embodied in A Dog's Purpose.

My son is reading A Dog's Purpose right now and I know he is finding comfort in his old friend's passing in those pages and joy in the new, exuberant life that has joined their household.

176 of 181 people found the following review helpful.
Absolutely Wonderful!!!
By Book Lover
Dog lovers will absolutely love this book. The author masterfully captures what many of us would imagine to be the thought processes of our dogs, and makes the reader think about the role we play in our pets' lives, for good and for bad. While the book has its uplifting moments, make sure to have some tissues nearby as there are many, many tearful moments in the story of this dog's numerous lives. Lest anyone think that this is yet another book in the growing dog channeling genre, rest assured that this book is much more than that. This is a book that will make you think not only about the purpose of a dog's life, but the purpose of life in general.

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Jumat, 11 Januari 2013

[S843.Ebook] Fee Download Beginner's Shona (Chishona) (Hippocrene Beginner's), by Aquilina Mawadza

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Beginner's Shona (Chishona) (Hippocrene Beginner's), by Aquilina Mawadza

The basics of Chishona, the most widely spoken form of Shona, are taught here in 12 comprehensive lessons. Each lesson includes a practice dialogue, vocabulary, grammar explanations, and review exercises.

  • Sales Rank: #2746930 in Books
  • Brand: Brand: Hippocrene Books
  • Published on: 2003-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.75" w x 1.00" l, .69 pounds
  • Binding: Paperback
  • 201 pages
Features
  • Used Book in Good Condition

About the Author
Mawadza is a lecturer in the Department of African Languages and Literature at the University of Zimbabwe. She obtained a Master's Degree in linguistics from the University of Florida, Gainesville, where she taught Shona for two years.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A disappointing textbook
By Thomas Martin
It is quite a disappointing book, surprising for an author who got Master's degree in linguistics, I would have expected more from her. Since there is no audio accompanying the book, I would have expected a thorough explanation of the sounds. But sounds that are not found in English are not explained. The pronunciation of only one of the consonant clusters is given. Tones are given for only two words, both spelled guru, and the one meaning ruminant stomach is described as in low tone, although Dale's dictionary says only the first syllable has low tone. So then one has to consult Dale's Basic English-Shona Dictionary to see the tones of many words, though one does not see how the grammar affects the tones, that is only a dictionary.
The dialogues of each lesson in Beginner's Shona sometimes have words whose grammar is not explained until a later lesson, and sometimes words whose grammar is never explained in this textbook, since this textbooks explains only some basics of the Shona grammar. For example the dialogues have mwanangu, translated as 'my child', even though page 102 says mwana mangu is 'my child', so the use of the shorter form mwanangu is never explained.
The vocabulary after each dialogue has almost all words in the dialogue, even though some words should have been learned in a previous lesson.
P. 49 claims that the verb -ri cannot be used in the 3rd person, even though later pages have examples of it used in 3rd person in various noun classes.
Some dialogues have a person switching erratically between using familiar and polite 'you' verb prefixes toward the same person.
The habitual past tense is mislabeled by the author as progressive past tense. Shona turns out to have a true progressive past tense too, as I can see in Dole's dictionary, but Mawadza's textbook does not mention that one.
P. 89 has the wrong plural subject prefixes.
The augmentative class is consistently mislabeled in this textbook as argumentative.
P. 145 says that sei, when at the end of sentence, means 'how', but on p. 44 it is in the middle of a sentence with the meaning 'how'.
P. 152 says that na- is used for proper nouns and ne- for common nouns, yet the book has an example of na- used with amai 'mother' which is of course a common noun. Very confusing.
P. 164 claims that the object prefix comes between the object and verb, in reality it comes between the tense prefix and verb.
P. 172 says that kukuvara means 'to be hurt' but later on the same page, she claims, apparently wrongly, that 'to be hurt' is kuvara.
P. 176 says 'reflexive extension' when it is really reflexive prefix.
The book has key to the exercises, which is a good idea to have. Though on page 189 of the key, the diminutive of musikana is given as kamusikana, even though previous lessons give kasikana instead, so that is the form a good student would have written, and then be surprised by the key. In reality though, Doke's book about South Bantu languages says with this noun class, both options are possible, so either the diminutive class prefix is attached directly to the stem, or else the normal class prefix is kept, so the diminutive class prefix is attached before the normal class prefix. But this textbook never explains that fact.
At the end is a Shona-English vocabulary for the textbook, which is good to have, but there is no English-Shona vocabulary.
The vocabulary translates gore as 'cloud', and makore as 'years', though in reality we are dealing with homonyms, gore means both cloud and year, and makore means both clouds and years.
Several verbs introduced in the lessons are missing in the vocabulary, like kubatsira 'to help', kupa 'to give', kusvika 'to arrive'.
So in summary, the textbook is of quite a poor quality.

0 of 1 people found the following review helpful.
Do Not Buy
By BillyC
Wast of your hard earned money.

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