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"'Must' reading for professionals who work in residential institutions."
—Alexander W. Astin, professor of higher education and director of the Higher Education Research Institute, University of California, Los Angeles

This book offers an insightful and practical discussion of how the outcomes of college education can be strengthened through thoughtful, educationally rich programs that make residence halls a more integral part of the overall educational experience.

• Sales Rank: #1765424 in Books
• Brand: Brand: Jossey-Bass
• Published on: 1994-11-04
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.09" w x 6.22" l, 1.49 pounds
• Binding: Hardcover
• 364 pages

Features

• Used Book in Good Condition

Review
"A very timely collection of fascinating and informative readings on a subject of central importance to higher education policy and practice... a sterling list of contributors... 'must' reading for professionals who work in residential institutions." (Alexander W. Astin, Professor of Higher Education and Director of the Higher Education Research Institute, University of California, Los Angeles)

From the Inside Flap
This book offers an insightful and practical discussion of how the outcomes of college education can be strengthened through thoughtful, educationally rich programs that make residence halls a more integral part of the overall educational experience.Many campuses are reemphasizing student learning and personal development as the primary goals of undergraduate education. This book offers an insightful and practical discussion of how the outcomes of college education can be strengthened through thoughtful, educationally rich programs that make residence halls a more integral part of the overall educational experience.The authors identify the essential elements that provide a foundation for effective education in residence halls. They explore the conditions that foster student learning and personal development. And they explain how to create a learning-centered climate in campus residences through collaborative efforts between educators in academic affairs and student affairs.Those who are committed to improving the quality of undergraduate education through utilizing the untapped potential of residence halls will learn how to develop learning communities within the halls, increase student involvement through civic leadership education, integrate living and learning experiences through residential colleges, and assess the educational outcomes of residence hall experiences.

From the Back Cover
"A very timely collection of fascinating and informative readings on a subject of central importance to higher education policy and practice... a sterling list of contributors... 'must' reading for professionals who work in residential institutions."
—Alexander W. Astin, professor of higher education and director of the Higher Education Research Institute, University of California, Los Angeles

This book offers an insightful and practical discussion of how the outcomes of college education can be strengthened through thoughtful, educationally rich programs that make residence halls a more integral part of the overall educational experience.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Educational Potential of Residence Halls
By Liz St. Clair
This is an "academic" type of read. It is not written for the Resident Advisor. It could be helpful to Resident Directors, graduate students and Directors of Residence Life. What I liked about this book is how it gave ideas for tying the university curriculum and classroom learning to the residence halls. It gives good "food for thought" if you are in a Residence Life leadership role.

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Awesome!

0 of 2 people found the following review helpful.
Great order
By Eric
I really had a great experience with this order. The book came in excellent condition and looked practically brand new when I recieved it. I got it for a great price and I would order with this vender again.

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[O503.Ebook] Fee Download How Patterns Work: The Fundamental Principles of Pattern Making and Sewing in Fashion Design, by Assembil Books

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When you are trying to learn something new, the best teachers are often the ones who will walk you slowly through all of the basics in a way that is straightforward and easy to understand. It is this approach to learning that has led us to create "How Patterns Work", so that those who wish to learn pattern making can have a simplified and streamlined introduction to all of the fundamental principles that lie at the core of pattern making.

If you have tried to learn pattern making in the past and felt daunted by the complex drawings and measurements, or are a sewer who has felt ill equipped to make even the simplest changes to patterns, then this is the ideal book for you. We believe that by having a solid understanding of the basic terms and processes of pattern making then you will be able to make simple pattern changes yourself, and be able to apply the same ideas to more complex pattern changes in the future. No previous knowledge of pattern making is required. Chapters start from zero assumed knowledge and build slowly in complexity with step-by-step examples and clear diagrams.

Please note that this book does not include paper patterns and does not cover specific pattern or block drafting exercises from measurements. Instead, this book will provide you with an overview to simplify the way you think about pattern making, arming you with knowledge that can be applied to any pattern change.

As an introductory book, "How Patterns Work" has been designed to work as a companion alongside more complex pattern drafting books. In a way, the first half of the book is almost like a long form dictionary of pattern terms to help provide a thorough explanation of all the different features of patterns such as grain lines, seam allowances, darts and notches. All of the examples are discussed in relation to how the pattern will ultimately be sewn, so that the principles become more relevant to real sewn garments.

The first section of the book will answer questions such as:

• What are darts and how do they work with the curves of the body?
• What is seam allowance and how much should you add to your pattern?
• How are body measurements used to create accurate patterns?
• What are blocks or slopers and how are they different to patterns?
• What do the basic blocks look like?

The second half of the book shows a range of pattern making changes that can be learnt separately and can then be applied in different combinations to any garment patterns to suit your own pattern making needs. The reason why these pattern changes have been shown away from specific garments is to enable you to focus on the logic behind the pattern change, instead of becoming confused by the actual shape of the garment, or being distracted by working out body measurements.

All of the examples listed below are shown using both the cut and spread, and the pivot flat pattern making methods, and then also shown as a draped section of fabric on a mannequin, allowing you to really see the pattern changes as both a flat pattern, and in a more tangible 3D form. The examples that are covered in this section include:

• Adding and removing a seam line.
• Moving the position of a dart.
• Turning darts into seam lines and vice versa.
• Increasing and decreasing volume evenly.
• Increasing and decreasing volume around a point.
• Using darts to increase volume.

While the book can often appear very simple, our approach has been that when you are really stuck and feel like you are not quite "getting it", then a longer explanation with detailed diagrams can help the idea to really click, making it easier to apply the same pattern change in future.

"How Patterns Work" has also been specifically developed for the kindle format with over 70,000 words of flowable text and over 250 diagrams in crisp, black, white and grey.

• Sales Rank: #170157 in eBooks
• Published on: 2013-11-24
• Released on: 2013-11-24
• Format: Kindle eBook

Review
"How Patterns Work has been useful for our first year fashion design students as it has assisted to fill a gap which existed to communicate basic principles in a straight-forward way for students approaching flat patternmaking for the first time. The illustrations are clearly developed, and together with the descriptions in plain language, make links evident between various parts of the flat patternmaking process in a way that is easy to follow. The absence of measurements throughout the text, further enable this text to be approachable for students who sometimes get overwhelmed by the mathematical aspect of flat patternmaking. I recommend this text alongside other flat patternmaking texts to enable various modes of learning in our first year flat patternmaking subjects. It is great to also be able to recommend the e-book version, and this has been received well by the students."
- Donna Sgro, Fashion Lecturer

From the Author
Assembil is a fashion innovation company.

We believe that the fashion industry needs a rethink, and that every step in the creation of fashion has the potential to be re-imagined using new techniques and new technology. Future Assembil projects will examine the way that fashion is taught, designed, manufactured, distributed, consumed and appreciated, and offer alternative solutions to traditional models.�Unlike other creative industries, fashion has been slow to embrace the nimble nature of digital products and services. We believe that one of the ways that technology can be better utilised in the fashion industry is in the way that people learn about the design and construction of fashion.

We believe in the power of great design, but professional quality design has traditionally been expensive or out of reach for most people. We want to change this. We're passionate about helping people of all abilities to design and make their own high quality fashion by giving them access to the necessary skills and knowledge to create beautifully crafted clothing.�For this reason, our first project begins in the world of fashion education, with our first product being a streamlined pattern making book developed specifically for digital devices. We hope that you enjoy reading "How Patterns Work".

Most helpful customer reviews

32 of 32 people found the following review helpful.
Great for the Beginner and Advanced
By Aspiring Artist and Designer
This book is a must have if you want to understand how patterns work in ANY design. It is a must have with any manual on how to create patterns. It is essential to understand how and why darts are used and where, for example, and this book epxlains that as well as many other construction issues. Just buying a book on how to make patterns is just that, it tells you how and sometimes a little bit about the why. Understanding why you do something for a certain effect, or should I say what you should do for a certain effect is explained in this text. So, buy this IN ADDITION to ANY how to make pattern book.

33 of 37 people found the following review helpful.
Great beginners guide and to anyone who wants to refresh there knowledge in patternmakingo
By Amazon Customer
I am a self teaching myself to be a fashion designer and have reservations on enrolling on a dedicated school of fashion due to financial constraints. I have bought almost 60 books to date about fashion, tailoring, sewing etc. Anything that would help me become a fashion designer. It is overwhelming to me since this is all new and I don't know where to begin. I believe I'm a good illustrator but I'm still refining on my skills. This book to me seems to be the next step towards constructing my illustrations. I love it because it talks about the very basic terminology and principles in pattern making and helps me adopt a set of skills that I can work with for my own designs. It is a book I would be using a lot and I know it will help me understand all the more complicated pattern books that I have so far. Much simple and straight forward guide for me.

23 of 27 people found the following review helpful.
Good book for a beginning pattern maker.
By musiclover
Very good for someone just beginning in pattern making.It would give a good basic knowledge of the process. I was looking for a book for a more advanced pattern making. I would recommend the book for a person just becoming interested in pattern making.

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• Sales Rank: #10808576 in Books
• Brand: Brand: lulu.com
• Published on: 2011-11-14
• Released on: 2011-11-14
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .34" w x 6.00" l, .47 pounds
• Binding: Paperback
• 136 pages

Features

• Used Book in Good Condition

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• Sales Rank: #740995 in Books
• Published on: 2007
• Binding: Leather Bound
• 852 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
Best devotional I've used
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The ninja adventures continue with Naruto’s son, Boruto!

Naruto was a young shinobi with an incorrigible knack for mischief. He achieved his dream to become the greatest ninja in his village, and now his face sits atop the Hokage monument. But this is not his story... A new generation of ninja are ready to take the stage, led by Naruto's own son, Boruto!

Years have passed since Naruto and Sasuke teamed up to defeat Kaguya, the progenitor of chakra and the greatest threat the ninja world has ever faced. Times are now peaceful and the new generation of shinobi has not experienced the same hardships as its parents. Perhaps that is why Boruto would rather play video games than train. However, one passion does burn deep in this ninja boy’s heart, and that is the desire to defeat his father!

• Sales Rank: #2820 in Books
• Brand: VIZ
• Published on: 2017-04-04
• Released on: 2017-04-04
• Original language: English
• Dimensions: 7.50" h x .60" w x 5.00" l,
• Binding: Paperback
• 208 pages

Features

• VIZ

About the Author
Author/artist Masashi Kishimoto was born in 1974 in rural Okayama Prefecture, Japan. Like many kids, he was first inspired to become a manga artist in elementary school when he read Dragon Ball. After spending time in art college, he won the Hop Step Award for new manga artists with his story Karakuri. After considering various genres for his next project, Kishimoto decided on a story steeped in traditional Japanese culture. His first version of Naruto, drawn in 1997, was a one-shot story about fox spirits; his final version, which debuted in Weekly Shonen Jump in 1999, quickly became the most popular ninja manga in the world. The series would also spawn multiple anime series, movies, novels, video games and more. Having concluded the series in late 2014, Masashi Kishimoto has kept himself busy this year with the side story Naruto: The Seventh Hokage and the Scarlet Spring and writing the story for the latest Naruto movie, Boruto: Naruto the Movie, both of which will focus on the title character's son, Boruto.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Not Bad
By Amazon Customer
I have heard quite a bit about how horrible this new spin-off series is and how terrible the Boruto movie was. In fact, I haven't heard a good thing about it via mouth, but I wanted to read the series anyway. I am not going to say that it sucks compared to the parent series because in some cases it will never reach what Naruto did, but the premise isn't all that bad. I did see the movie and was glad this first volume went deeper into some of the characters. The first book is roughly half or so of the movie and already I like this tripod of kids better than the three from Naruto.

I am not a fan of Sasuke or Sakura, but I do like their daughter. She has spunk. I'd like to see more of the side characters, but since this is the first of the series I am going to have to wait just like every other reader out there. I like Mitsuki and am excited to see where he goes as a character.

As for Boruto (which that is a terrible name), I do hope they don't make him so disgusted with his dad that it comes off as ridiculous. I can understand the whole idea of not having a father who is really there. Hinata's comment about how he isn't like Naruto in that his father is alive isn't quite accurate. Naruto's father died, whereas Naruto is choosing to put his work duties ahead of his family duties. It is comparing apples and oranges, so Boruto has every right to feel neglected because as a kid he can see that his father is choosing one thing over the other, whereas dearly departed granddad didn't really have a choice, being dead and all. Sorry folks, Boruto does have a point.

The family issues aside, I think my only complaint is the drawing. I am a huge fan of the drawings in the original series and how the characters appear as older seem off to me. I looked at Gaara and wondered if that was the same man. I'd like to see more of the Kage group in the future, especially since Gaara is my favorite Naruto character.

Fun read, and recommended for people who are able to see the series as a stand alone rather than an attempt to revive a series that ended with a lot of fans and tears.

2 of 2 people found the following review helpful.
Love it!
By Raul Vazquez
I love it! I love it! I love it!

I am glad this is out because I was really sad that Naruto has come to end. This is a great way to full in that void that Naruto had left. This first volume is pretty nice. I like the artwork too. I seriously don't understand why people throw so much shade on the new Boruto series?

1 of 1 people found the following review helpful.
Five Stars
By Anthony C.
Even includes the extra chapter that kiosk wrote himself

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[S817.Ebook] Fee Download Chopin's Letters (Dover Books on Music), by Frederic Chopin

Fee Download Chopin's Letters (Dover Books on Music), by Frederic Chopin

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Chopin's Letters (Dover Books on Music), by Frederic Chopin

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"Nothing could be more spontaneous and ebullient than Chopin's letters." — Books
"Perhaps no composer's letters are so kindred to his music, and reminiscent of the impression produced by it, as Chopin's are." — The New York Times
This superbly edited selection of nearly 300 of Chopin's letters, the first to be published in English, vividly reveals the composer as man and artist, and evokes the remarkable age — Europe of the 1830s and 1840s — he shared with an equally remarkable cast of characters, from Jenny Lind to Isabella II of Spain, from Queen Victoria to George Sand, from Heinrich Heine to Victor Hugo.
The tone of the letters is exuberantly engaging: "They abound in delightful gossip, they are merry rather than malicious, they are engagingly witty, and at times their humor becomes positively Rabelaisian" (Peter Bowdoin, Books). Their contents offer rare glimpses into Chopin's childhood environment, his mind and character, his tragic love for George Sand, the origins of many of his compositions, the various musical influences that shaped his creative ideas and habits, and the artistic circles in which he moved.
Originally collected by the Polish musicologist Henryk Opienski, the letters have been translated and annotated by Chopin scholar E. L. Voynich. Students and admirers of Chopin will find in their pages vast resources to deepen their love and appreciation for — and wonderment at — the unique individuality and achievement of this great musical personality.

• Sales Rank: #529904 in Books
• Brand: Dover Publications
• Published on: 1988-02-01
• Released on: 1988-02-01
• Original language: English
• Number of items: 1
• Dimensions: 8.48" h x .86" w x 5.37" l, 1.00 pounds
• Binding: Paperback
• 448 pages

Features

• Frederic Chopin
• Music
• Letter
• Essays & Correspondence

Language Notes
Text: English, French (translation)

Most helpful customer reviews

63 of 63 people found the following review helpful.
Deeply poignant
By Gordon R Cameron
Reading the early passages in Chopin's letters, one is almost heartbroken by the youth, the enthusiasm, the childlike good humor evident therein. Chopin at 17 was a wide-eyed kid from Warsaw with unparalleled musical talent and his whole life in front of him, the world apparently his oyster. To read his letters in subsequent years -- after the Russian invasion of Poland that stranded him in Paris; the abortive betrothal to Maria Wodzinska; the complex and finally tragic relationship with George Sand -- is to watch a man reach adulthood step by step. Though they contain only small, tantalizing glimpses of Chopin's opinions on music, the letters make for an effective counterpoint to his immortal compositions. The man who wrote the great Ballades and Scherzi was just a man like any other: he was annoyed at lazy servants, he unconsciously exploited his friends, he wanted to move in the circles of great aristocrats, he had provincial and prejudiced opinions. The lesson is banal, but true, and vividly made clear in these letters.

19 of 20 people found the following review helpful.
If you REALLY want to get to know Chopin read his letters!
By Antonia Brentano
These letters make wonderful reading. Chopin's writing style is direct, at times humorous, and gives a great insight in his daily life, from his very young years untill just before his death in 1849.
In these letters he does not much write about his art (he hardly did that anyway: most of his thoughts on music are written down by his friend Eugene Delacroix in his journal, based on their conversations).
These letters cover a wide variety of subjects: holiday-planning, chit-chat,long letters to his sister Ludwika, letters to his lover George Sand and her children, rude business letters (no romantic dreamer here!),sad letters, passionate letters of a young Chopin,etc.
If you want to get to know the person Chopin this is a must-read.

5 of 5 people found the following review helpful.
Good buy
By Michael C. Le Guellec
Shipped fast. Good condition. The one thing that was sort of strange, is that it dosen't show any letters that were sent to Chopin himself, so a lot of his replys do not make sense. Also every time that he wrote two or more consecutive letters to the same person, it is addressed "To the Same" so you have to look all the way back to the first. In the case of Juliana Fontana this can span for more than ten pages.

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[P563.Ebook] Free PDF The Belly Dance Reader, by Lynette Harris

Free PDF The Belly Dance Reader, by Lynette Harris

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The Belly Dance Reader is an anthology of essays from many of the leaders in our Middle Eastern music and dance community. The contributors range from PhD scholars to hobbyists. This book is illustrated with hundreds of photos and artwork from current to vintage, including various sub-styles of the dance, gathered from around the world. Subjects covered include: An introduction, dancing at various ages and stages, history, costuming and appearance, regional and sub styles of the dance, theory and technique, as well as valuable resources such as Arabic scales and rhythms, glossary, maps and more. Belly Dance Reader Contents Section 1 - An Introduction • Gamar a poem by Beatrice Parvin of the UK • Welcome to Bellydance by Najia • Belly Dance and Contemporary Dance Studies by Barbara Sellers-Young PhD • Reading Like a Researcher, Can You Trust Your Sources? by Mahsati • Orientalism, Zumarrad's Completely Non-scholarly Quick & Dirty Guide by Brigid Kelly • The Soul of Belly Dance, The Most Importatnt Thing is the Feeling by Alia Thabit Section 2-Dancing Through the Stages of Your Life • Teaching Children to Dance, Joys and Pitfalls by Martha Duran • A Dancer's Journey, From Beginner to Semi-Pro by Elianae Stone • The Teacher-Student Relationship, A Psychological Point of View by Izzah Isabelle Gagnon PhD • Bellydance Class... or Cult? Artwork by Leela Corman • Turning Pro, From Hobbyist to Star to Teacher by Lauren and Jillina • Boomerang Career, Life and Dance in the Land Down-Under (Pro to Teacher/Hobbyist) by Amera of Australia • It Ain't Easy being the Crone by Shelley Muzzy Section 3-History • "Harem Girls", Dance in Historical Harems, Early 1700s - Early 1900s by Andrea Deagon PhD • The American Belly Dancer in Early Burlesque and Vaudeville Theatre by Catherine Mary Scheelar (married name here) • Belly Dance as a Performance, Historical Phenomenon or Logical Evolution? by Iana Komarnytska • Dancer Trading Cards- Artwork by Leela Corman, Stats by Sausan Section 4-Biz • What a Band Needs, But Doesn't Always Get by Denise Mannion of Pangia • Dancing with Live Bands, The Little Book of Etiquette by Leyla Lanty • Selling your Dance, A Series of Elevator Pitches by Athena • Marketing Belly Dance for Fitness, Is It A Good Idea? by Mayada • Tip O' the Hat to Tipping, Practices of Appreciation by Samira Sharuk Section 5-Costume & Appearance • Raqqin the Retro, Vintage Costume Care by Princess Farhana • Omani Jewelry from the Collection of Nancy Hernandez Photography by Alisha Westerfeld • Practice Makes Perfection, Make up Artists Share Their Secrets by Davina ~ Dawn Devine • A Costume Gallery Section 6- Regional Styles • Beyond Sequins, Meaning in the Movement by Yasmina Ramzy • The Rom, Nomads of the Spirit by Sierra (Sadira) Suraci • Romani (Gypsy) History An Introduction by Renee Rothman • The Zar, Dancing with Genies by Yasmin Hekesh • In Search of Zambra Mora by Dondi Dahlin • Improvisational Tribal Style, Constructing Self and Community by April Rose • The Ghawazi by Jalilah • Two Weddings and a Dancer, The Beledi and The City by Leila Farid • Zeffat Al ‘Aroosa, Ritual Procession for the Egyptian Wedding by Sahra Carolee Kent Section 7-Theory & Technique • Belly Dance Motivations, Context and Content of Performance by Jezibell Anat • Contextualizing, Giving Your Dance Context! by DaVid of Scandinavia • Performance Enhancement by Mahsati • How to Balance Anything! by Stasha Vlasuk • Improvising with Ease, Strategies that Work by Anthea Kawakib Poole • Shimmylab, Muscular Activation Patterns in Belly Dance by Venus Marilee Nugent • Are the Stars Out Tonight? Fitting Music & Dance to Your Gig by Najia The Backside • Maps- Sahra's Regional Dances of Egypt, The Mid East, Mediterranean, and North Africa • A Few Maqamat and Rhythms • References, A Bibliography Project, Bonus Material, Disclaimers, Errata • Gig Form • A Glossary of Common Belly Dance Terms • Contributors Bios • Photo Credits • Late Additions photos

• Sales Rank: #1255928 in Books
• Brand: Brand: Gilded Serpent
• Published on: 2012-12-07
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .64" w x 8.50" l, 1.45 pounds
• Binding: Paperback
• 280 pages

Features

• Used Book in Good Condition

About the Author
GildedSerpent.com is an online resource in magazine format that seeks to become a freely available library of knowledge supported by and for our Middle Eastern music and dance community. Our goal is to become the Journal of Record for this community. Online we include articles ranging from historical research to up-to-the-minute news, reflecting a full spectrum of viewpoints. This is our first book, written and edited by our community. Lynette Harris is the principal editor and publisher of GildedSerpent.com - an all volunteer organization that encourages the inclusion and tolerance of all those who wish to participate. Together, we can promote our identity and pride by sharing the resources and ideas, concepts, history of dance, and the rich music and culture of the Middle East. We thank you for helping to support our goals by purchasing this book! Please also visit us online at GildedSerpent.com.

Most helpful customer reviews

19 of 19 people found the following review helpful.
The Table Of Contents Tells the Whole Story!
By Dawn Devine
I'm going to start with a disclaimer, I wrote one of the articles in the Belly Dance Reader, but I'm not here to toot my own horn. Rather, I'd like to share with you my delight and amazement at the quality and scope of this book. I just got my copy, and it occurs to me that from the description above, you can't really make the most informed decision about purchasing The Belly Dance Reader. But rather than tell you how much I love it, I thought I would give you something even better - the Table of Contents! Just one quick skim, and you will see that this book has an amazing collection of authors from academics to working professionals, this book has a little something-something for every belly dance enthusiast. I'm enjoying reading this collection! Happy Costuming! Dawn Devine ~ Davina (Author of Embellished Bras and Costuming from the Hip)

Belly Dance Reader Contents

Section 1 - An Introduction
* Gamar a poem by Beatrice Parvin of the UK
* Welcome to Bellydance by Najia
* Belly Dance and Contemporary Dance Studies by Barbara Sellers-Young PhD
* Reading Like a Researcher, Can You Trust Your Sources? by Mahsati
* Orientalism, Zumarrad's Completely Non-scholarly Quick & Dirty Guide by Brigid Kelly
* The Soul of Belly Dance, The Most Importatnt Thing is the Feeling by Alia Thabit

Section 2-Dancing Through the Stages of Your Life
* Teaching Children to Dance, Joys and Pitfalls by Martha Duran
* A Dancer's Journey, From Beginner to Semi-Pro by Elianae Stone
* The Teacher-Student Relationship, A Psychological Point of View by Izzah Isabelle Gagnon PhD
* Bellydance Class... or Cult? Artwork by Leela Corman
* Turning Pro, From Hobbyist to Star to Teacher by Lauren and Jillina
* Boomerang Career, Life and Dance in the Land Down-Under (Pro to Teacher/Hobbyist) by Amera of Australia
* It Ain't Easy being the Crone by Shelley Muzzy

Section 3-History
* "Harem Girls", Dance in Historical Harems, Early 1700s - Early 1900s by Andrea Deagon PhD
* The American Belly Dancer in Early Burlesque and Vaudeville Theatre by Catherine Mary Scheelar (married name here)
* Belly Dance as a Performance, Historical Phenomenon or Logical Evolution? by Iana Komarnytska
* Dancer Trading Cards- Artwork by Leela Corman, Stats by Sausan
Section 4-Biz
* What a Band Needs, But Doesn't Always Get by Denise Mannion of Pangia
* Dancing with Live Bands, The Little Book of Etiquette by Leyla Lanty
* Selling your Dance, A Series of Elevator Pitches by Athena
* Marketing Belly Dance for Fitness, Is It A Good Idea? by Mayada
* Tip O' the Hat to Tipping, Practices of Appreciation by Samira Sharuk

Section 5-Costume & Appearance
* Raqqin the Retro, Vintage Costume Care by Princess Farhana
* Omani Jewelry from the Collection of Nancy Hernandez Photography by Alisha Westerfeld
* Practice Makes Perfection, Make up Artists Share Their Secrets by Davina ~ Dawn Devine
* A Costume Gallery

Section 6- Regional Styles
* Beyond Sequins, Meaning in the Movement by Yasmina Ramzy
* The Rom, Nomads of the Spirit by Sierra (Sadira) Suraci
* Romani (Gypsy) History An Introduction by Renee Rothman
* The Zar, Dancing with Genies by Yasmin Hekesh
* In Search of Zambra Mora by Dondi Dahlin
* Improvisational Tribal Style, Constructing Self and Community by April Rose
* The Ghawazi by Jalilah
* Two Weddings and a Dancer, The Beledi and The City by Leila Farid
* Zeffat Al 'Aroosa, Ritual Procession for the Egyptian Wedding by Sahra Carolee Kent
Section 7-Theory & Technique
* Belly Dance Motivations, Context and Content of Performance by Jezibell Anat
* Contextualizing, Giving Your Dance Context! by DaVid of Scandinavia
* Performance Enhancement by Mahsati
* How to Balance Anything! by Stasha Vlasuk
* Improvising with Ease, Strategies that Work by Anthea Kawakib Poole
* Shimmylab, Muscular Activation Patterns in Belly Dance by Venus Marilee Nugent
* Are the Stars Out Tonight? Fitting Music & Dance to Your Gig by Najia

The Backside
* Maps- Sahra's Regional Dances of Egypt, The Mid East, Mediterranean, and North Africa
* A Few Maqamat and Rhythms
* References, A Bibliography Project, Bonus Material, Disclaimers, Errata
* Gig Form
* A Glossary of Common Belly Dance Terms
* Contributors Bios
* Photo Credits
* Late Additions photos

14 of 15 people found the following review helpful.
A good collection of articles by dancers who know their stuff!
By Maura Enright
The book contains lots of what I wanted, which is, research and strong opinions by folks who have earned the right to have an opinion. Too many of the existing belly dance magazines are little more than belly-dance versions of People magazine, predictably featuring the dancer-du-jour and then filling the rest of the pages with bits of diluted information and rambling articles on topics that have been recycled for decades. This book is more like the late lamented Habibi and Arabesque magazines, capturing the insights and enthusiasms of articulate people who are Names in their field. You won't be bored. I suggest you buy it.

6 of 6 people found the following review helpful.
Wish I had this book 10 Years ago!
By jj
Review for "The Belly Dance Reader" from the editors of Gilded Serpent

For anyone at all interested in the art of belly dance, "The Belly Dance Reader" from the editors of the Gilded Serpent, will enthuse and educate. Its collection of articles, written in part, by many Bay Area dancers, are geared towards the novice, but has valuable insight for both advanced and professionals as well. It offers a variety of articles addressing belly dance basics, such as costuming, make up, and working with a live band, to more educative topics, such as, origins and styles of belly dance, their evolutions, and important discussions about depicting cultures and ethnic groups accurately. Most of the articles are very accessible to the average reader via first person accounts, but this great source also easily forays into a more collegiate realm. With little in the way of media coverage for belly dance, this book is a highly valuable resource. One can gain great knowledge from another dancer's experiences, and that is one of the many great tools offered here. With this in mind, anything written by Najia Marlyz is a delight, and in this reader she has two fabulous articles. "Welcome to Belly Dance!", by Marlyz opens the discussion of belly dance and provides a compelling overview of the subject. Her approach is serious yet comedic, and this I find refreshing. Her article "Are the Stars Out Tonight" is a no no nonsense discussion of music for your "gig", as well as your expectations as a dancer, (will you be paid to dance in the background, or are you a star performer?) and how to achieve your goals.
The article "The Teacher-Student Relationship, A Psychological Point of View", helps us recognize good and bad teacher-student relationships and discusses the Zone of Proximal Development (ZPD), which to sum it up, teaches "just a little bit beyond what the student can already do" so that they may one day be autonomous in their dance careers. As a dancer who's taken classes from many teachers, it is true that finding the best fit will ensure growth in your dance. You want to be praised for your abilities, but also pushed to to better, or you will not feel excited about what you are learning. Conversely, having to be a clone of your teacher only ends in disharmoney. Another poignant article entitled "It Ain't Easy Being the Crone" will strike a chord with many. It discusses one woman journey as a praised dancer to one who has been forgotten. I think that the desire to be a beloved dancer is a dream of many, whether you are professional or not and it was touching to read about this personal experience. In addition to figuring the accuracy, reliability, and validity of source material,"Reading Like a Researcher" discusses how dancers passionate about their art can go beyond dance training and learn"about the cultures, history and evolution of their art...". An article by Brigid Kelly discusses "Latent Orientalism" a phrase coined by Palestinian critic Edward Said in 1978, that reveals how the West's historical "othering" of Arab cultures "...can be used to feed the racism at the discourse's heart". This is an eye-opening article that must be read! The fabulous article by Princess Farhana offers a valuable discussion of vintage costumes and their care. Many more articles worth reading are to be found within this well-organized three-hundred page reader that will indulge, inspire and educate you about the art and culture of belly dance in America and beyond.

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[F671.Ebook] Ebook Free Stepping Out of Self-Deception: The Buddha's Liberating Teaching of No-Self, by Rodney Smith

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Anatta is the Buddhist teaching on the nonexistence of a permanent, independent self. It’s a notoriously puzzling and elusive concept, usually leading to such questions as, “If I don’t have a self, who’s reading this sentence?” It’s not that there’s no self there, says Rodney Smith. It’s just that the self that is reading this sentence is a configuration of elements that at one time did not exist and which at some point in the future will disperse. Even in its present existence, it’s more a temporary arrangement of components rather than something solid. Anatta is a truth the Buddha considered to be absolutely essential to his teaching. Smith shows that understanding this truth can change the way you relate to the world, and that the perspective of selflessness is critically important for anyone involved in spiritual practice. Seeing it can be the key to getting past the idea that spirituality has something to do with self-improvement, and to accessing the joy of deep insight into reality.

• Sales Rank: #394222 in eBooks
• Published on: 2011-07-22
• Released on: 2011-07-22
• Format: Kindle eBook

From Publishers Weekly
Rodney Smith (Lessons from the Dying), a Seattle insight meditation teacher and former hospice director, argues that the core of Buddhist wisdom is the nonexistence of the self (anatta). But even dedicated practitioners find this teaching difficult, he argues: �Through all our techniques and procedures, the sense–of-I remains the cornerstone of our existence.� Focusing on Buddhism�s eightfold path, Smith tries to jolt the reader out of this �belief in a separate self.� He emphasizes the importance of discovery and experimentation, following the Buddha�s dictum of testing principles rather than accepting dogma. A sometimes idiosyncratic terminology reflects Smith�s own journey from reliance on spiritual teachers to detailed investigation. Acute insights mingle with vague abstractions: �We only lose sight of unity; it never leaves us.� He critiques what the late influential Tibetan Buddhist teacher Chogyam Trungpa considered �spiritual materialism�--attachment to particular methods or experiential states, especially in the Western pursuit of psychological health. Additional concrete examples and tighter editing would have made this book more approachable, but Smith�s examination of a profound teaching is thought provoking.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Acute insights…Smith’s examination of a profound teaching is thought-provoking.”—Publishers Weekly

“Smith successfully approaches the Buddhist doctrine of anatta (no-self), which is a concept that is most difficult at the best of times.”—The Middle Way: Journal of the Buddhist Society

“Every so often a book appears that revitalizes our understanding of who we are and what our lives are about. Stepping Out of Self-Deception is such a book.� A wonderfully fresh and beautifully written investigation of the path of awakening, it also challenges many of our assumptions along the way.”—Joseph Goldstein, author of One Dharma and Insight Meditation: The Practice of Freedom

“The Buddhist doctrine of anatta (no-self)� seems quite counterintuitive to the Western mind: we may not be sure of much, but aren't we sure we are here?� Descartes says as much.� Rodney Smith succeeds masterfully in laying bare the self/non-self doctrine and its many insidious misunderstandings that more often than not result in our using spiritual practice to reinforce the very pain we hoped it would liberate us from.� He makes it clear that the Buddhist goal is not self-improvement or self-elimination but rather the radical recognition that we have never been isolated, we have always belonged.� I am deeply moved by this intelligent, practical, and challenging look at the Buddhist path for our time and place.”—Zoketsu Norman Fischer, author of Sailing Home and Taking Our Places: The Buddhist Path to Truly Growing Up

“I found this book extremely clear and helpful. Rodney is able to explain concepts that are generally hard to comprehend, and make them readily accessible. His words are written from the heart, which is where this book resonates.”—Sharon Salzberg, author of Lovingkindness and Faith: Trusting Your Own Deepest Experience

“Rodney Smith humanizes the Buddhist path. He probes ‘no-self ’ but in so doing reveals himself to be honest, humble, and wise. His writing makes this most elusive concept come alive.”—Mark Epstein, MD, author of Thoughts without a Thinker and Going to Pieces without Falling Apart

“Rodney Smith’s terrific new book will help us step out of the vicious cycle of self-deception and into the illumined realm of self-knowledge and spiritual realization. His deep, long term of Buddhist practice and liberating wisdom combined with a vocation of service work in the field of death and dying has perfectly equipped him to bring together here the best of East and West in elucidating how we ourselves can explore and penetrate the inner dynamics of identity and self, no-self, transpersonal being, and discover the complete being of our innate Buddhaness, the radiant Buddha-nature.”—Lama Surya Das, author of The Mind Is Mightier Than the Sword and Awakening the Buddha Within

About the Author
Rodney Smith, a guiding teacher for the Insight Meditation Society, has taught insight meditation since 1984. He is a former Buddhist monk and worked in hospice care for seventeen years. The author of "Lessons From the Dying" and "Stepping Out of Self-Deception", he founded and guides the Seattle Insight Meditation Society.

Most helpful customer reviews

44 of 45 people found the following review helpful.
FRESH AND CLEAR
By Russell Smith
I borrowed this book from the library and have been reading it slowly and savoring it. I realize I will have to buy it so I can reread it, underline passages and take the insights deeply to heart-- it is that sort of book.

True, as a previous reviewer mentioned, it is not easy reading, but I value this. Rodney Smith has made the effort to use language that actually corresponds to his experience, rather than relying on over-used Dharma cliches. For me, this brings a freshness and vitality to the book. Even insights I am familiar with come alive in a new way.

Rodney Smith is has taught Insight Meditation for decades and has directed Hospice programs for many years. He studied with Ajahn Buddhadasa in Thailand but also sites dialogues with the Vedanta sage Shri Nisargadatta as having a great impact on him. This book should appeal not only to Buddhists but to readers having an interest in Advaita Vedanta and contemporary non-dualist teachers like Eckhart Tolle.

The author is fearless in confronting the many ways spiritual practice ends up supporting the ego it supposedly is challenging. Consider this quote: "I have seen many practitioners overstay their efforts and arrest their understanding...
They feel safe and unassailable, expertly following their breath for hours according to Buddha's instruction... But scratch beneath the surface and their hearts are dry... They have opted out of wonder for the mental fulfillment of precision."

This book is targeted at lay Buddhist practitioners with a full engagement in the the world. "The lay Buddhist does not have the luxury to pull back from the barrage of experiences coming forth throughout the day." "Nothing is denied, nothing is avoided, and the world is allowed to make its impact, to affect us in whatever way it does." "The Dharma is always inclusive, and in the end everything needs our attention and understanding, never our dismissal."

A few more quotes:
"The sense-of-self lacks faith in anything outside of its own influence. Life is perceived as an obstacle to our power and must be aligned by force of will to work to our advantage." {Sound familiar? Sure does to this reviewer.} "Faith is the opposite of control, and expresses itself energetically as releasing our need to have everything go our way. Faith is the intuitive sense that something beyond our power holds life and has always held it..."

"The primary intention begins to work through us when we are radically accountable for the pain of our wanting. Radical accountability starts by saying 'I want' and drops all externaliztion of the need. Next we drop the references to 'we' and the energy stays with the wanting and goes no further... We hold our ground and in doing so there is a welling of confidence and coursge... The heart fully engages reality and says 'Come what may, this is where I stand' and faces the wanting until it disappears into emptiness."

This last practice is explored fully throughout the book. These two long quotes give you a sense of Smith's language. I finally want to add that I believe this book would be appreciated not only by Buddhists but also open-minded Christians. Rodney Smith writes beautifully about surrender, faith and "self-naughting," offering a perspective that many Christians could benefit from.

29 of 30 people found the following review helpful.
A Rare and Valuable Addition to Buddhist Teachings
By Michaelinwa
I was very eager to read this book because I admire Rodney Smith as a teacher. He brings a unique perspective to Buddhist practice, and is often very thought provoking. However, I do find many of his lines of thought to be very complex, and not readily understood. I would consider myself an average meditator with about average exposure to Buddhist ideas. I am not, as a rule, intimidated by complicated ideas or challenging books. Any reader of this book should be warned that they may find much of the discussion to be very challenging to understand. I often had a sense that I just wanted the author to state in more direct and easily understood language what he was trying to convey. Now, having said that, I did find some very useful concepts in this book. In particular, the notion that our practice may be working to build a sense of self that is contrary to what we are trying to achieve is very helpful, and not a message I have learned from other teachers. But overall I felt that author either had much, much more to convey than I was able to pick up from the lengthy discussion, or he uses far more words to explain his ideas than are necessary. Truthfully, I think he has much more to say that I can comprehend, but that just makes this book somewhat frustrating because I was ready to absorb his ideas, but simply could not truly understand many of them. As a final note, I suspect many readers will find this book light on how to integrate the concepts into daily practice. This is certainly not a "how to" book by any stretch of the imagination.

Update to my initial review: I went back to this book and reread it; something I rarely do with books of any sort. I must say, after the second read my respect for this author's ideas as presented in the book have increased greatly. I think what the author teaches in this book is essential. Is it an easy read? No. But I think that aspect of the book is a result of the nature of what the author is presenting. These are not concepts that are well known or intuitive to the average Buddhist or meditator. In fact, I suspect these concepts are not well known to even to those with many years of practice. Additionally, the concepts do not lend themselves easily to being communicated. However, I now see that I am running into exactly the issues of "self" finding it's way into my practice in a manner that is not useful. Were it not for this book, I'm not sure I would recognize that fact, and I suspect I would be at a loss as to how to address the issues. While the author does not present a sort of "step-by-step" approach to resolving the challenges he describes, there is enough guidance in this book to help me navigate my way through the difficulties of dealing with self as it emerges in my practice.

I get the sense that Rodney Smith can articulate these ideas because he has been there, and has struggled personally with the issues he describes. It seems to me that Mr. Smith has done a great service to Buddhists and meditators by at least pointing us in the general direction in which we should go. When an author can give us a new message that potentially can save us untold frustration, I think that's a rare gift to practitioners.

I strongly recommend this book, especially to more experienced meditators who I believe will eventually run into the challenges Rodney Smith describes in this book. If you find reading this book a challenge, give it a chance. Take your time, and be willing to reread as much as necessary to find the important messages this author is presenting.

22 of 23 people found the following review helpful.
Absolutely Brilliant
By Inner Adventurer
What a wonderful surprise this book is. I've been unclear about Buddha's teaching on `no-self ' inspite of reading and trying to understand it. This book is one of those rare books that actually takes you to the experience, not just more information. They say that when somebody really knows what they are talking about they can explain it to anyone. I get it now, what's that worth? Thank you for taking the time to write this treasure.

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[X206.Ebook] PDF Ebook Ride the Storm (Cassandra Palmer), by Karen Chance

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Ever since getting appointed the chief seer of the supernatural world, Cassie Palmer has been playing catch up. Catch up on the training she missed being raised by a psychotic vampire instead of at the pythian court. Catch up on the dangerous world of supernatural politics. Catch up on the powerful, and sometimes seductive, forces trying to mold her to their will. It's been a trial by fire that has left her burned.But now she realizes all that was just the warm-up. Ancient forces that once terrorized the world want to return, and Cassie is the only one who can stop them.

• Sales Rank: #17088078 in Books
• Published on: 1969-12-31
• Formats: Audiobook, CD, Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 5.30" h x 1.10" w x 6.40" l,
• Running time: 11 Hours
• Binding: Audio CD

Review
Praise for the Cassie Palmer Novels
�
“A grab-you-by-the-throat-and-suck-you-in sort of book with a tough, smart heroine and sexy-scary vampires. I loved it.”—#1 New York Times Bestselling Author Patricia Briggs
�
“A really exciting book with great pace and a huge cast of vivid characters.”—#1 New York Times Bestselling Author Charlaine Harris
�
“The author has reinvented her writing style for the series and raised the bar of expectations high. Her story transcends mere urban fantasy and veers toward epic fantasy.”—*Love Vampires

About the Author
Karen Chance grew up in Orlando, Florida, and has also lived in France, Great Britain, Hong Kong, and New Orleans. She is the bestselling author of the Cassie Palmer series and the Dorina Basarab series, and her stories have appeared in the anthologies On the Prowl and The Mammoth Book of Vampire Romance.

Jorjeana Marie has narrated over seventy audiobooks, performed in hundreds of commercials, and starred in Listen to Grandpa, Andy Ling with Elliott Gould. She is also a stand-up comic who has opened for Richard Lewis, Louie Anderson, and Kathleen Madigan.

Most helpful customer reviews

0 of 11 people found the following review helpful.
Five Stars
By Sharon Hall
Good read

2 of 26 people found the following review helpful.
Ride the Storm: A Cassie Palmer Novel
By Teddy Bear's Mom
I really didn't like this book Ride the Storm: A Cassie Palmer Novel as much as the others - it was too frenetic. It was surely a stop gap storey that ran and ran and ran head long. She didn't even spend any time with her " Husband" but with a bare mention. She spends more time with her body guards and playing catch up but with this book I didn't get the impression she got ahead at all. Not very satisfying compared to her usual books and it leaves you hanging... There's Mircea with "The Brunette" from the painting made of real jewels under the sheets and she tells her to make like a tree and you know the rest. Cassie just uses her power and moves her into some muddy field?????? Going to have a talk?????OK????? All blase.
With the whole back and forth with Pritkin numerous times I can't even remember if she accomplished what she set for.

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